In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
During World War II, as Adolf Hitler's awesomely powerful Wehrmacht rampages across Europe, the Prime Minister of the United Kingdom, Neville Chamberlain, is forced to resign, recommending Winston Churchill as his replacement. But even in his early days as the country's leader, Churchill is under pressure to commence peace negotiations with the German dictator or to fight head-on the seemingly invincible Nazi regime, whatever the cost. However difficult and dangerous his decision may be, Churchill has no choice but to shine in the country's darkest hour.Written by
Director Joe Wright, who is British but has a deep affection for the United States and spends a lot of his time there, suggested that this film is directly relevant to the country's political turmoil under the leadership of maverick business billionaire Donald J. Trump and the concern this was causing for the rest of the world. He said, "There's a big question in America at the moment: what does good leadership look like? Churchill resisted when it mattered most, and as I travel around America I am really impressed and optimistic at the level of resistance happening in the U.S. at the moment. After George W. Bush was elected, it wasn't the same level; there was more apathy then. Now people are very vocal and that's really positive." See more »
Elizabeth does not hit the space bar when she is striking the keys, and she does not pause to hold down the "shift" key before typing a capital letter. See more »
It's a one man show about one of the towering figures of the 20th Century and what a show it is. Gary Oldman has been able to be Sid Vicious in "Sid And Nancy" with the same outstanding commitment and extraordinary results. Joe Wright, the gifted director of "Atonement" presents us with an irresistible version of Churchill through the magic powers of Oldman but sometimes he doesn't seem to trust the power of what he has in his hand. Eccentric cuts in the middle of a famous speech for instance and other stylistic distractions arrive with irritating frequency but that doesn't spoil. too much, the joy and fun of seeing Gary Olman in action. Also interesting to notice, Dunkirk provides a very moving moment for the second time this year.
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