In May 1940, the fate of Western Europe hangs on British Prime Minister Winston Churchill, who must decide whether to negotiate with Adolf Hitler, or fight on knowing that it could mean a humiliating defeat for Britain and its empire.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
During World War II, as Adolf Hitler's awesomely powerful Wehrmacht rampages across Europe, the Prime Minister of the United Kingdom, Neville Chamberlain, is forced to resign, recommending Winston Churchill as his replacement. But even in his early days as the country's leader, Churchill is under pressure to commence peace negotiations with the German dictator or to fight head-on the seemingly invincible Nazi regime, whatever the cost. However difficult and dangerous his decision may be, Churchill has no choice but to shine in the country's darkest hour.Written by
Extensive makeup was used to transform Gary Oldman into Winston Churchill, but to call this "aging" makeup would not be entirely accurate. In May 1940, Churchill was 65 years and six months old. Oldman turned 59 during filming. See more »
Early on in the film a black Riley RM drives past 10 Downing Street. This was a post war model (1945 - 55). Also, a black 1949 - 53 Ford Anglia E494A is seen later on in the film. See more »
As a film this is quite good; it's not dull, the performances are good, the production design is excellent, the script is a professional piece of work and even Oldman's make-up is not too distracting.
However, something is not right. If most people get their history from movies, this is concerning. It's obvious that actual events occurred with real people and what they did and said but in a movie this gets pasteurized into what smart people believe will be more thrilling, more sympathetic, more emotional. That process necessarily alters things into something that is even anachronistically rendered and therefore not in the record.
This defect occurs frequently in this movie , so it's not history but myth making. A good example is Churchill's dive into the Underground to meet the common person to steel his resolve. Now Churchill had a mixed view of the average voter, and he was a patrician, but even that aside, he did not need to take a Tube train survey to gauge opinion.
This scene is poached from Shakespeare's Henry V where the king goes among his soldiers the night before battle to hear them and take courage from their strength. Steal from the best is a good policy, but it's not history. It's Shakespearean history and that trades effect for accuracy too.
The audience is given this scene to present Churchill as an instrument of democracy; he's acting for what the people want, therefore he's doing the right thing. It's called pandering.
Well, it is just a movie.
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