A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
A "story inside a story," in which the first part follows a woman named Susan who receives a book manuscript from her ex-husband, a man she left 20 years earlier, asking for her opinion. The second element follows the actual manuscript, called "Nocturnal Animals," which revolves around a man whose family vacation turns violent and deadly. It also continues to follow the story of Susan, who finds herself recalling her first marriage and confronting some dark truths about herself.
In the film, Susan's second husband's name is Hutton. In the book, his name is Arnold. See more »
When Ray is sitting on the toilet outside his trailer, he has nothing on except his pants down around his ankles. When he is told to stand up, he can be seen pulling up his pants (and underwear, inside the pants) but as he pulls his pants up, his underwear is already on him, not inside the pants as it would be since he grabbed the pants/underwear at the same time. See more »
This film was a wonderful exhibition of acting and cinematography. You can clearly see the work of Tom Ford in it and there are many things that draw comparisons to his debut film 'a single man.' Stylistically it is similar, most notably through the musical score. What impressed me most about it was the symbolism of the book that Amy Adams reads. You can clearly see that the wife of Tony represents Amy Adams' character in real life and what she used to be, from Edward's perspective. The character of Ray Marcus seems to represent what Susan then became from Edwards perspective after the terrible things she did to him. Ford also drops various visual cues in the story, such as the red couch that he finds his dead wife and daughter on, that represent things in the real-life narrative. Overall, the film was a technical wonder. The only reason I couldn't rate it higher was because the script didn't quite match the other aspects of the film and the themes the film was trying to explore were unclear. However, the film remains a harrowing piece of work and a great second feature film by Tom ford.
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