Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.
Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin and Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down and most soldiers die in the landing or are killed by the Nazis' night patrols after they land. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives, rogue sniper Tibbet, war photographer Chase, and finally private Dawson. After they watch the killing of their superior Sargeant Eldson by a Nazi night patrol, Ford becomes leader of the group and they try to get the town with the tower in order to complete the mission. In the forest close to the town they meet Chloe, a villager who assists the soldiers in her home with ...Written by
Overlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire. See more »
A C-47 that lost its engine would have also lost its wing. The level flight shown the film would not have been possible without an engine. See more »
[He and Ford are mutating]
How's it feel to have blood of eternity inside you?
It feels not fucking right
See more »
After the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas. See more »
'Overlord (2018)' certainly has tonal issues, often being properly horrific but seeming to want to inject humour at the most inopportune of moments. It's also quite schlocky essentially every time it tries to do anything more traditionally 'war movie'-esque. This is especially prevelant in the moments where it wants us to believe its heroes are being overtly and defiantly heroic, in spite of their army-given orders or previously quite unlikable (sometimes contemptible) character-traits, or in the times where it tries to tie its events directly into the narrative of the overall Second World War - which is actually quite disturbing not in its slightly jingoistic and strangely campy ending but in its undercurrent of Nazi experimentation, something that did really occur to an extent perhaps less sensational but far more despicable than what's seen here. Really, the issues come down to the writing, which isn't as nuanced as it perhaps thinks it is but also isn't as straight-forwardly 'genre-specific' as it perhaps ought to have been. There are times when the flick works, though, which mainly come when it slips straight into the fantastical, horror territory where it feels most at home and, indeed, adept. Here, it puts the historical context further into the background than before, using it as a backdrop for a sort of silly but played-straight science-fiction flick that actually works well when it tries to scare and make squirm. The visuals are pretty much universally good and, aside from a couple of unnecessarily glorified gore-shots, the violence is presented as believably painful and properly gruesome, too. Ultimately, this makes for a flawed experience that's at its best when it just lets the viscera fly like it is slick, big-budgeted and generally very well put-together grindhouse-bound 'trash art'. 6/10
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