6.8/10
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Overlord (2018)

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A small group of American soldiers find horror behind enemy lines on the eve of D-Day.

Director:

Julius Avery

Writers:

Billy Ray (screenplay by), Mark L. Smith (screenplay by) | 1 more credit »
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12 ( 6)

'Overlord' Cast Share Zombie Apocalypse Survival Tips

What movie should you watch to prep for a zombie apocalypse? The cast of Overlord share their answers, and gives us some intel on their new World War II horror flick.

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Cast

Cast overview, first billed only:
Jovan Adepo ... Boyce
Wyatt Russell ... Ford
Mathilde Ollivier ... Chloe
Pilou Asbæk ... Wafner
John Magaro ... Tibbet
Iain De Caestecker ... Chase
Jacob Anderson ... Dawson
Dominic Applewhite ... Rosenfeld
Gianny Taufer Gianny Taufer ... Paul
Joseph Quinn ... Grunauer
Bokeem Woodbine ... Rensin
Erich Redman ... Dr. Schmidt
Mark McKenna ... Murphy
Hayley Carmichael ... Mrs. Lesner
Marc Rissmann ... Scherzer
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Storyline

On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin and Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down and most soldiers die in the landing or are killed by the Nazis' night patrols after they land. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives, rogue sniper Tibbet, war photographer Chase, and finally private Dawson. After they watch the killing of their superior Sargeant Eldson by a Nazi night patrol, Ford becomes leader of the group and they try to get the town with the tower in order to complete the mission. In the forest close to the town they meet Chloe, a villager who assists the soldiers in her home with ... Written by Chockys

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, disturbing images, language, and brief sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Canada

Language:

English | Russian | French | German

Release Date:

9 November 2018 (USA) See more »

Also Known As:

Overlord See more »

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Box Office

Budget:

$38,000,000 (estimated)

Opening Weekend USA:

$10,202,108, 11 November 2018, Wide Release

Gross USA:

$21,704,844, 20 December 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The movie featured more practical effects rather than the standard cgi effects most movies use. This was done to get a better reaction from the actors involved in the scenes where something gruesome would happen. See more »

Goofs

When the American soldiers arrived in the house and went to the attic. The Corporal sat down and hair was shaggy and messy. The camera went to the other characters when they spoke. When the camera went back to Corporal Ford. His hair was sorted and brush back. The camera went to the other characters again when they spoke. Then when the camera came back to Corporal Ford. His hair was shaggy and messy again. See more »

Quotes

Chase: [as his veins and arteries begin mutating] Oh my god! What did you do to me? OH MY GOD!
See more »

Alternate Versions

After the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas. See more »


Soundtracks

Bridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Frequently Asked Questions

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User Reviews

 
Call Of Wolfenstein: Overlord
11 November 2018 | by Pjtaylor-96-138044See all my reviews

'Overlord (2018)' certainly has tonal issues, often being properly horrific but seeming to want to inject humour at the most inopportune of moments. It's also quite schlocky essentially every time it tries to do anything more traditionally 'war movie'-esque. This is especially prevelant in the moments where it wants us to believe its heroes are being overtly and defiantly heroic, in spite of their army-given orders or previously quite unlikable (sometimes contemptible) character-traits, or in the times where it tries to tie its events directly into the narrative of the overall Second World War - which is actually quite disturbing not in its slightly jingoistic and strangely campy ending but in its undercurrent of Nazi experimentation, something that did really occur to an extent perhaps less sensational but far more despicable than what's seen here. Really, the issues come down to the writing, which isn't as nuanced as it perhaps thinks it is but also isn't as straight-forwardly 'genre-specific' as it perhaps ought to have been. There are times when the flick works, though, which mainly come when it slips straight into the fantastical, horror territory where it feels most at home and, indeed, adept. Here, it puts the historical context further into the background than before, using it as a backdrop for a sort of silly but played-straight science-fiction flick that actually works well when it tries to scare and make squirm. The visuals are pretty much universally good and, aside from a couple of unnecessarily glorified gore-shots, the violence is presented as believably painful and properly gruesome, too. Ultimately, this makes for a flawed experience that's at its best when it just lets the viscera fly like it is slick, big-budgeted and generally very well put-together grindhouse-bound 'trash art'. 6/10


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