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A small group of American soldiers find horror behind enemy lines on the eve of D-Day.

Director:

Julius Avery

Writers:

Billy Ray (screenplay by), Mark L. Smith (screenplay by) | 1 more credit »
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'Overlord' Cast Share Zombie Apocalypse Survival Tips

What movie should you watch to prep for a zombie apocalypse? The cast of Overlord share their answers, and gives us some intel on their new World War II horror flick.

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Cast

Cast overview, first billed only:
Jovan Adepo ... Boyce
Wyatt Russell ... Ford
Mathilde Ollivier ... Chloe
Pilou Asbæk ... Wafner
John Magaro ... Tibbet
Iain De Caestecker ... Chase
Jacob Anderson ... Dawson
Dominic Applewhite ... Rosenfeld
Gianny Taufer Gianny Taufer ... Paul
Joseph Quinn Joseph Quinn ... Grunauer
Bokeem Woodbine ... Rensin
Erich Redman ... Dr. Schmidt
Mark McKenna Mark McKenna ... Murphy
Hayley Carmichael ... Mrs. Lesner
Marc Rissmann ... Scherzer
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Storyline

On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin and Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down and most soldiers die in the landing or are killed by the Nazis' night patrols after they taking land. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives, rogue sniper Tibbet, war photographer Chase, and finally private Dawson. After they watch the killing of their superior Sargeant Eldson by a Nazi night patrol, Ford turns in the leader of the group and they try to get the town with the tower in order to complete the mission. In the forest close to the town, almost arriving to it, they meet Chloe, a villager who ... Written by Chockys

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, disturbing images, language, and brief sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Russian | French | German

Release Date:

9 November 2018 (USA) See more »

Also Known As:

Overlord See more »

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Box Office

Budget:

$38,000,000 (estimated)

Opening Weekend USA:

$10,202,108, 11 November 2018, Wide Release

Gross USA:

$18,133,356, 19 November 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Original version of the script written in 2013 by screenwriter Billy Ray was very different in some parts than the final movie, before it was changed over the years and after another writer Mark L. Smith was brought in to polish the script. One of the biggest differences included only having Boyce, Ford and Chloe as main heroes, and far more focus on horror elements of the story. Entire third act and action scenes in the ending were almost completely different than the ones in the film. For example, Boyce, Ford and Chloe were fighting against even more undead Nazis inside the church and laboratory and using every weapon they had or found trying to stop them, at one point Boyce even throws some grenades at Nazis but when that doesn't work he has to use giant sword to decapitate them, and then uses the flamethrower to burn last ones before blowing them up for good. See more »

Goofs

Soldiers of African heritage were not integrated with Caucasian units during World War II. This did not happen until July 26, 1948 when President Harry S. Truman signed Executive Order 9981, ending segregation in the armed forces, and not fully enforced until Secretary of Defense Robert S. McNamara issued Directive 5120.36 fifteen years later on July 26, 1963. See more »

Quotes

Chase: [as his veins and arteries begin mutating] Oh my god! What did you do to me? OH MY GOD!
See more »

Alternate Versions

After the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence. The subsequent re-submission got the film a more accessible MA15+ rating. It is believed that the film will be fully restored for its home entertainment release. See more »

Connections

Featured in Tamara Just Saw: Overlord (2018) See more »

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User Reviews

 
Rating: A
9 November 2018 | by msbreviewsSee all my reviews

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First things first: don't you dare miss this one! I never expected to be as entertained and constantly at edge as I felt throughout this film. J.J. Abrams has a tremendous production capability, and Overlord proves it. It incorporates every genre that you can remember of in an almost seamlessly process. I guess I'll start with the beginning since the first 20-30 minutes provide one of the best opening sequences of the last few years.

Overlord is definitely a war movie, and its foundations are actually based on true stories from WWII. Obviously, being J.J. Abrams a sci-fi master, he stretches those stories a bit so we can have a brilliant rollercoaster of genres. Mystery, thriller, horror, sci-fi, drama, comedy, war, action, ... I mean, every genre that you can think of (well, I guess musical can be excluded) is present in this film, some more than others.

Usually, that is not a good sign because it's extremely hard to balance two/three tones or genres, let alone a whole bunch of them. That said, Julius Avery is one hell of a director! He and his writers were able to mix everything up and still make a cohesive and even claustrophobic movie since it's pretty much one-location after that opening act. Let's go genre by genre ...

War: the best depiction of what a war looks and SOUNDS like since Dunkirk. I watched this on IMAX, and the sound design is unbelievable. I could feel every bullet flying through, and the CGI is eyegasmic. That opening scene with the military flying over the "battlefield" is visually jaw-dropping, and the score elevates the tension by being extremely powerful. Chills all over my body.

Sci-fi/Mystery/Thriller: even though the premise pretty much explains what the Nazis are doing in their medical experiments, the way that Mark L. Smith and Billy Ray structure the film's narrative and write the dialogues is remarkable. Every exposition scene feels natural and rich from a storytelling perspective. It doesn't improve the mystery itself, but it sure helps the audience to navigate through the story.

Horror: it relies on predictable yet effective jump scares, but the "monsters" are very well "designed." With a mix of CGI and makeup, every single scene involving these human experiments is nail-biting great. Whether that's a chasing or fight sequence, or merely a suspense moment where we can't really see the entire human body, the horror vibe is excellently implemented.

Comedy: such a heavy and bloody R-rated flick, needs some sort of relief. Comedy isn't precisely a predominant genre, but John Magaro's character carries an important role. You might be thinking "bah, he is just a bland comic relief character with no decent development," but you're wrong. Tibbet is extremely well-developed! He simply has a funny personality, and he does banter a lot, but throughout the movie, he keeps evolving as a character and ultimately surprises us in the third act. I also love Iain De Caestecker (Chase), and I congratulate him on finally getting a role in a big film!

Drama: Jovan Adepo (Boyce), Wyatt Russell (Ford) and Mathilde Ollivier (Chloe) are what I would call the movie's protagonists. They are the ones that carry most of the story. Adepo is the lead, and he is fantastic, as well as his two counterparts. However, it's due to the amazing characters' scripts that they are able to shine. Every single character in the film (well, except the Nazis, obviously) has a script meant for the audience to care about them.

Every death has an impact, either on the audience or the other characters. There's a ton of ethical dilemmas throughout their mission, and these three are always arguing with each other since everyone thinks differently. Their dialogues are very captivating, and they undoubtedly improve the screenplay. I rarely blinked due to the high level of entertainment and excitement. Story and character-wise, this is one of 2018's best. Pure entertainment AND well-written characters? Count me in!

However, it doesn't end up here. Technically, this movie is impressive and magnificent. I genuinely had my heart pumping hard after that opening sequence (am I repeating myself too much?). The score is intensely sumptuous, the cinematography is impeccable, and the visual effects are out of this world. The action stunts (chases and fights) are so realistic that you can feel every punch, kick, bullet and explosion like you were there.

Julius Avery works the camera in such a mind-blowing way. Even though some scenes require massive CGI, he still produces some one-take wonders. From Boyce jumping from the plane to him running away from explosions going off closer and closer, Avery sure knows his craft of filmmaking. I wanted to give this film an A+ so much, but I can't. I have one and one only minor issue that I can't just ignore.

I wrote above that it mixes each genre ALMOST perfectly ... Midway through the second act, I noticed that this movie wasn't going to escape the fact that it tries to tackle too many genres and tonally, it lacks a bit of balance. Going from such an intense opening act to a more slow-paced and dramatic story is a big downstep entertainment-wise. Even when the action returns, it's a totally different type of war action. Throughout the film, I felt like wanting a bit of "that" when there was too much of "this" and a bit of "this" when there was too much of "that."

Nevertheless, Overlord is one of my favorite movies of 2018, and it's going to make my life hard at the end of the year, organizing my Top10. It's a brilliantly structured story filled with remarkably well-developed characters and a phenomenal cast, led by Jovan Adepo. Julius Avery provides a captivating and intense rollercoaster of genres and tones, delivering a film with very different levels of entertainment due to the many styles present. His filmmaking craft is mind-blowing, and J.J. Abrams' production is visually stunning, at least. Watch it on IMAX so you can feel how powerful and intense the sound design is. You'll be captivated from the first to the last second. Enjoy it!


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