Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
Circa 1968, several strangers, most with a secret to bury, meet by chance at Lake Tahoe's El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors - before everything goes to hell.
On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin and Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down and most soldiers die in the landing or are killed by the Nazis' night patrols after they taking land. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives, rogue sniper Tibbet, war photographer Chase, and finally private Dawson. After they watch the killing of their superior Sargeant Eldson by a Nazi night patrol, Ford turns in the leader of the group and they try to get the town with the tower in order to complete the mission. In the forest close to the town, almost arriving to it, they meet Chloe, a villager who ...Written by
The movie featured more practical effects rather than the standard cgi effects most movies use. This was done to get a better reaction from the actors involved in the scenes where something gruesome would happen. See more »
The only African-American airborne outfit was the 555th Parachute Infantry Battalion (Triple Nickles). Although the unit was ready for combat, it came close to being used in the Battle of the Bulge but that crisis passed and the unit never went overseas or saw combat. See more »
Three months ago, I was cutting grass on my front yard. The mailman shows up with a letter from the army. Now I'm here, and no idea where I'm going to end up.
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After the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence. The subsequent re-submission got the film a more accessible MA15+ rating. It is believed that the film will be fully restored for its home entertainment release. See more »
This is not the first time when J. J. Abrams put the finances into the risky project (remember "Cloverfield"), but this is definitely a curious choice for such a filmmaker. "Overlord" is the rare hybrid of a WWII film and a zombie horror - kind of movies that were prosperous back in 1970s and early 1980s, but has been long gone since then. And even in those times most of them were cheap and cheesy exploitation films, full of gore and nudity. (And yes, lots of people nowadays will think not of grindhouse cinema, but rather of "Call Of Duty" or "Wolfenstein" game series, which is an obvious point of reference here.)
And "Overlord" nearly perfect in assembling those pieces of a Nazi zombie horror movies into one single story. The plot is simple, action-packed and has it all: lots of fighting, shootings, machine guns and flamethrowers. The characters are schematic, almost one-dimensional, because it's not WWII drama, and that's enough. The SFX are great, there's a lot of blood and guts here, exactly what one can expect from a film which involves Nazis, experiments with (un)dead, and covert military operation.
However, there's some minor but annoying mistakes in presentation of some important plot elements, which hard to left unnoticed. Perhaps the most striking example of such retroactive anti-militaristic message is when Cpl. Ford decides to stop Nazis once and for all near the end of the film: his attitude looks a bit anachronistic in 1940s and such views for an U.S. soldier were much more credible rather after Vietnam War than during the WWII. There's also a very implausible fight between two main characters before the final onslaught, which looks ridiculous within the context of the upcoming Overlord operation.
But it all can easily be put aside, because "Overlord" is the Nazispoltation at its best: dark, bloody, action-driven horror about zombie soldiers trying to take over the world. Take it for what it is, and have fun.
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