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A small group of American soldiers find horror behind enemy lines on the eve of D-Day.

Director:

Julius Avery

Writers:

Billy Ray (screenplay by), Mark L. Smith (screenplay by) | 1 more credit »
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Cast

Cast overview, first billed only:
Jovan Adepo ... Boyce
Wyatt Russell ... Ford
Mathilde Ollivier ... Chloe
Pilou Asbæk ... Wafner
John Magaro ... Tibbet
Iain De Caestecker ... Chase
Jacob Anderson ... Dawson
Dominic Applewhite ... Rosenfeld
Gianny Taufer Gianny Taufer ... Paul
Joseph Quinn Joseph Quinn ... Grunauer
Bokeem Woodbine ... Rensin
Erich Redman ... Dr. Schmidt
Mark McKenna Mark McKenna ... Murphy
Hayley Carmichael ... Mrs. Lesner
Marc Rissmann ... Scherzer
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Storyline

On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin & Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down & most soldiers die in the landing or are killed by the Nazis' night patrols after landing. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives; Tibbet, a rogue sniper; Chase, a war photographer; and finally private Dawson. After they watch the killing of their superior Sargeant Eldson by a Nazi night patrol, Ford is the mission leader of the group and they try to get the town with the tower. Almost to the town they meet Chloe, a villager who assists the soldiers In her home with her elderly aunt & little brother, Paul.... Written by Chockys

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, disturbing images, language, and brief sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Russian | French | German

Release Date:

9 November 2018 (USA) See more »

Also Known As:

Overlord See more »

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Box Office

Budget:

$38,000,000 (estimated)

Opening Weekend USA:

$10,202,108, 11 November 2018, Wide Release

Gross USA:

$11,481,689, 12 November 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Both Jacob Anderson and Pilou Asbæk have starred in Game of Thrones (2011). See more »

Goofs

The C47's that are carrying the 101st Airborne supposedly have left around midnight. Yet when they are crossing the English Channel, it appears to be early dawn. When they are crossing over the coast of France, though, it becomes night again. See more »

Quotes

Boyce: Three months ago, I was cutting grass on my front yard. The mailman shows up with a letter from the army. Now I'm here, and no idea where I'm going to end up.
See more »

Alternate Versions

After the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence. The subsequent re-submission got the film a more accessible MA15+ rating. It is believed that the film will be fully restored for its home entertainment release. See more »

Connections

Featured in Projector: Overlord (2018) See more »

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User Reviews

 
Call Of Wolfenstein: Overlord
11 November 2018 | by Pjtaylor-96-138044See all my reviews

'Overlord (2018)' certainly has tonal issues, often being properly horrific but seeming to want to inject humour at the most inopportune of moments. It's also quite schlocky essentially every time it tries to do anything more traditionally 'war movie'-esque. This is especially prevelant in the moments where it wants us to believe its heroes are being overtly and defiantly heroic, in spite of their army-given orders or previously quite unlikable (sometimes contemptible) character-traits, or in the times where it tries to tie its events directly into the narrative of the overall Second World War - which is actually quite disturbing not in its slightly jingoistic and strangely campy ending but in its undercurrent of Nazi experimentation, something that did really occur to an extent perhaps less sensational but far more despicable than what's seen here. Really, the issues come down to the writing, which isn't as nuanced as it perhaps thinks it is but also isn't as straight-forwardly 'genre-specific' as it perhaps ought to have been. There are times when the flick works, though, which mainly come when it slips straight into the fantastical, horror territory where it feels most at home and, indeed, adept. Here, it puts the historical context further into the background than before, using it as a backdrop for a sort of silly but played-straight science-fiction flick that actually works well when it tries to scare and make squirm. The visuals are pretty much universally good and, aside from a couple of unnecessarily glorified gore-shots, the violence is presented as believably painful and properly gruesome, too. Ultimately, this makes for a flawed experience that's at its best when it just lets the viscera fly like it is slick, big-budgeted and generally very well put-together grindhouse-bound 'trash art'. 6/10


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