Based on the namesake book, the movie follows Peppino, an old hit man in a '70 Naples, forced to come back in action by the murder of his son. This tragic event also arises reflections on life and on the society in all the characters.
In Marseille, a family gathers for the birth of baby Gloria. But despite the joy, the young parents have fallen on tough times. As they try to make ends meet, they reconnect with Gloria's ex-convict grandfather.
This particular version of Naples is home to Antonio Barracano, the young, vigorous and tattooed Mayor of Rione Sanità who plays by his own rules; a paternal figure who oversees the licit and illicit activities unfolding within the city.
Francesco Di Leva,
Roberto De Francesco
A stormy reunion between scriptwriter Lumir with her famous mother and actress, Fabienne, against the backdrop of Fabienne's autobiographic book and her latest role in a Sci-Fi picture as a mother who never grows old.
Hoping that self-employment through gig economy can solve their financial woes, a hard-up UK delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of this modern-day form of labour exploitation.
After saving Arturo, a young scion of the industrial middle class, from a beating, the sailor Martin Eden is invited to the boy's family home. Here he meets Elena, Arturo's beautiful sister, and falls in love with her at first sight. The cultured and refined young woman becomes not only the object of Martin's affections but also a symbol of the social status he aspires to achieve. At the cost of enormous efforts and overcoming the obstacles represented by his humble origin, Martin pursues the dream of becoming a writer. Under the influence of the elderly intellectual Russ Brissenden, he gets involved in socialist circles, bringing him into conflict with Elena and her bourgeois world.Written by
I left the cinema with a strong emotional bond with the protagonist.
The story seems to surface from a documentary, with several reference to post-ww2 Italy: music, people, strip of homemade tapes. But the pace, the rhythm, the editing, is not a documentary one, it sometime remembers a music-clip.
The more you sip form the environment, the more its flavour changes, because the situation changes, and so does the main actor. It is really easy to bend to its arch, and little by little you find yourself absorbed into his prospective, his vision, his twists.
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