In 1930's Hollywood, the powerful agent, Phil Stern, is attending a party and receives a phone call from his sister living in New York. She asks for a job for her son and Phil's nephew, Bobby, who decided to move to Hollywood. Three weeks later Phil schedules a meeting with Bobby and decides to help him. He asks his secretary Veronica "Vonnie" to hang around with Bobby, showing him the touristic places. Bobby immediately falls in love with Vonnie, but she tells that she has a boyfriend, a journalist that travels most of the time. However, Vonnie's boyfriend is indeed a married man that is also in love with her and soon she has to make a choice between her two loves.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The picture went over budget with its estimated cost rising from US $18 million and escalating another US $12 million to top an estimated US $30 million by the end of production. See more »
The grand piano in the first club scene was a Sojin, a Korean brand. Sojin pianos were not imported to the US until 1981. See more »
When the sun starts to dip on the Hollywood hills, the light often takes on the saturated loveliness of color by Technicolor. The homes of the movie stars, in the late 1930's, said to be fabulous, were. An the cocktail and dinner gatherings saw the film colony's creme de la creme draining high balls, exchanging rumors, making deals and trading gossip. No 'A' list affair was complete without the presence of Phil Stern, one of the town's most high powered agents, and his lovely wife,...
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I myself am a sucker for a movie that gives a take on old school Hollywood and Woody Allen did a beautiful job with Cafe Society.
The cinematography on this one did a great job of capturing the feel of 1930s California and New York city. I can't get over how beautiful this thing was shot. A knock out combination of lights setting and music to bring out the mood.
And the jazz numbers that lace this flick did just that for setting that beautiful tone
Jesse Eisenberg started off a little too much Woody Allen at first (one particular scene in the beginning that acts like a hilarious sketch routine, where Jesse's character Bobby buys a hooker). It did get some getting use to, before it became his own thing.
Corey Stoll's character Ben, a though Jew who becomes a night club owner, whole involvement in the film taste like Scorsese light, which only made it even that more interesting.
It's a good Woody Allen comedy,but They are all good to me. If you like one you like them all (but I'm more partial to the ones he does not star in, like this one), and it's super impressive he does one of these on annual basis and he's able keep the quality constant.
It'a funny film with laugh out loud moments, and very crafty narrative narrated by Allen himself. This movie is just another love letter with the city he loves (and a thoughtful P.S you're OK too California), and makes Woody feel like such a helpless romantic, but that's what makes the movie so good to watch.
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