Two strangers stuck in Manhattan for the night grow into each other's most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Frank Adler (Chris Evans) is a single man raising a child prodigy - his spirited young niece Mary (Mckenna Grace) in a coastal town in Florida. Frank's plans for a normal school life for Mary are foiled when the seven-year-old's mathematical abilities come to the attention of Frank's formidable mother Evelyn (Lindsay Duncan) whose plans for her granddaughter threaten to separate Frank and Mary. Octavia Spencer plays Roberta, Frank and Mary's landlady and best friend. Jenny Slate is Mary's teacher, Bonnie, a young woman whose concern for her student develops into a connection with her uncle as well.Written by
Fox Searchlight Pictures
In the German version the product of 57 and 135 was mistranslated into 7659. This is no excuse for the translators but in German the unit position is spoken before the ten-digit. So seven thousand six hundred fifty nine was translated in that order. See more »
Greetings again from the darkness. The "right" choice isn't always obvious. Things get more complicated when even the "best" choice isn't clear. Place a young child at the heart of that decision tree, and the result may yield emotional turmoil and an abundance of moral high ground and judgment. Such best intentions are at the core of this latest from director Marc Webb (his first feature since 500 Days of Summer) and writer Tom Flynn.
Frank (Chris Evans) is raising his 10 year old child prodigy niece Mary (Mckenna Grace) in low-key small town Florida. The circumstances that brought the two of them together aren't initially known, but are explained in a poignant moment later in the film. Frank has been home-schooling Mary and now believes it's time she transitions to public school for the socialization aspect "try being a kid for once" he urges. Of course, Mary's teacher Bonnie (Jenny Slate, Obvious Child) immediately realizes Mary is special, and just like that, the wheels of the educational system are in motion to explain to Frank why they know what's best for Mary a high-fallutin private school where she can be all she can be.
There is a really nice and enjoyable story here of Uncle Frank dedicated to doing what he thinks is best for bright and charming and spirited young Mary, but it all comes crashing down when the bureaucrats, and ultimately Frank's mother (Lindsay Duncan), get involved. When the adults can't agree on the best route for Mary, a courtroom battle ensues. Ms. Duncan gets a witness scene reminiscent of Jack Nicholson in A Few Good Men, and her overall performance stands in effective stark contrast to the warm fuzzies of Mr. Evans.
The supporting cast contributes nicely, though Octavia Spencer's role as kindly neighbor Roberta is more limited than it should be, and the love connection between Evans and Ms. Slate could have easily been omitted - but she is so pleasant on screen, that we don't mind at all. Glenn Plummer and John Finn are the attorneys who go to war, and Fred the one-eyed cat also gets plenty of screen time. But there is little doubt that the movie really belongs to the effervescent Miss Grace. She nails the back and forth between kid and genius, and we never doubt her sincerity.
Child prodigies have been explored through other fine movies such as Little Man Tate, Searching for Bobby Fisher, and Shine, and while this one may run a bit heavier on melodrama, but it's worthy of that group. The best discussions after this movie would revolve around what's best for the child. Should she be deprived of "higher" education in order to live within a more "normal" social environment? Are any of the adults more interested in their own ego than in what's in the child's best interest? Home school vs public school vs private school is always good for some fireworks, and everyone has their own thoughts. So how do we decide who gets to decide? Does a parent get the final say on their child – even if their motivations may be in doubt? Should every kid be pushed to their academic – or artistic – or athletic – limits? The questions are many and the answers are complicated. There is a great line in the film that itself is worthy of conversation: "You got on the bad side of a small-minded person with authority". Yikes. Even Cat Stevens' great song "The Wind" can't soften that.
63 of 95 people found this review helpful.
Was this review helpful to you?
| Report this