Two moments of Jonas's life intertwine, each reflecting the other: in 1995, when he was a secretive teenager, and 18 years later, as an attractive and impulsive thirty-something looking for balance in his life.
Tommy Lee Baïk
Lorenzo is a quiet teenager who lives with his parents and his younger brother in small city in the Argentinean Patagonia. One day, a family friend's son named Caíto moves south and settles... See full summary »
15 year old Tom is going to spend another calm summer with his parents and younger sister at their summer house. But by fate, another family comes to spend some time with them, with their 17 year old son Felix.
Leo is 22 and sells his body on the street for a bit of cash. The men come and go, and he stays right here - longing for love. He doesn't know what the future will bring. He hits the road. His heart is pounding.
Nathan, 16, lives alone with his father Stephane. A newcomer in high school, he is invited to a party and falls in love with Louis, a boy in his class. They find themselves out of sight and... See full summary »
Benny, a college freshman at the University of Akron, Ohio meets and falls for fellow freshman Christopher at a football game. With the support of their families and friends they embark on ... See full summary »
Ibrahim, a 14-year-old Moroccan boy, walks down a road in the outskirts of a big city alone and disoriented. Recently informed that he will be deported in two days, he packed his belongings and ran away. He is now alone with no place to go.
Franky Winter has long been best friends with his high school classmate, Ballas Kohl, much like their parents, Carly and Ray Winter and Angie and Nic Kohl, have been friends, although Ray is now the odd person out since the recent divorce when he realized he was in love with a man, his current partner, Brendan. Franky and Ballas are among the popular group of students, and are on the school swim team together, Ballas the team captain. While Ballas has just started a sexual relationship with Jessica, Franky in turn could have his choice of any girl - at least according to the scuttlebutt provided to him by his friend Mouse, a boy trapped in a girl's body, from what she overhears in the girls' washroom - but has chosen to date Cil, they planning to have their first sexual encounter the night of his seventeenth birthday party. Franky's first was almost Ballas' younger sister, Tash, who has just returned to school following "the incident" for which she is now labeled a slut and she ...Written by
Kyle MacLachlan enjoyed working in Sault Ste. Marie, Ontario, where the film was shot. In a Toronto Sun interview, he stated: "It was beautiful. It reminded me, kind of weirdly enough, a little bit of my hometown which is in eastern Washington. The neighborhoods. And the style of the houses. The sounds were similar and the smells of the asphalt and the vegetation. Even down to the color of the bricks of the homes. I was like, 'Wow, this is sort of like Yakima.'" See more »
In his 1948 study "Sexual Behavior in the Human Male," Dr. Alfred Kinsey reported that everyone is bisexual to one degree or another and that this can be measured on a scale from 0 to 6. While sexual fluidity has grown in acceptance, it has not yet been explored in film to any great degree. Canadian director Keith Behrman's Giant Little Ones, however, in his first film since his 2002 indie "Flowers and Garnet," celebrates the complexities of life and relationships in the story of popular teenagers Franky Winter (Josh Wiggins, "Walking Out") and Ballas Kohl (Darren Mann, "Chilling Adventures of Sabrina" TV series). Best friends since childhood, their relationship is severely tested when they engage in oral sex after heavy drinking at Franky's 16th birthday party, an incident that leads both to question their orientation.
The experience, which would normally be quickly buried, is inflamed when a fearful Ballas, hearing rumors and worried about having his masculinity challenged, betrays his lifelong friendship with Franky, spreading stories around the school that Franky was responsible for what occurred. The seduction scene is shown so quickly, however, that it is uncertain as to what actually took place. All we see is a darkened room and the movement of bodies under a blanket. A confused Franky becomes the target of abuse from his classmates, abuse that threatens his self esteem and puts a damper on his relationship with his girlfriend Cil (Hailey Kittle, "Falling Water" TV series), who had expected to lose her virginity on the night of Franky's birthday party.
The only support he finds is in his sweet relationship with Ballas' sister Natasha (Taylor Hickson, "Everything, Everything"), whose own experience of bullying left her fearful of becoming close with another person. Franky's struggle for self-acceptance is also helped by his humorous relationship with Mouse (Niamh Wilson, "Saw V"), a trans friend who is there for more than comic relief. She personifies for Franky what it means to own one's sexuality and not be overburdened by what others think about her. Also lending support is Franky's father Ray, (Kyle MacLachlan, "High Flying Bird") who left the home to move in with another man.
Protective of his mother Carly (Maria Bello, "Lights Out") and resentful of his father's sudden departure, it requires a long time for Franky to be willing to allow Ray to support him, but eventually, in a scene made real by MacLachlan's compassion and Wiggins raw sensitivity, a deeply-felt conversation takes place and is one of the film's high points. While Giant Little Ones succeeds in moving the needle in a positive direction, it nonetheless falls prey to some of the more clichéd aspects of the coming-of-age genre such as high schools filled with affluent, white students, actors who look closer to thirty years old than fifteen, stereotypes of alpha male high school jocks, and a host of badly undeveloped peripheral characters.
The heart and the message of the film, however, transcend its limitations. Franky's growing ability to just be himself without having to fit into a rigid category is an important one and, to its credit, it is an ambiguity that Behrman does not find it necessary to clear up. Like the poet Charles Bukowski, Franky could say, "Something in me relaxed, smoothed out. I no longer had to prove that I was a man. I didn't have to prove anything." Like a rocket in a fireworks July, the flares that Franky and Natasha fire into the sky do not soar upwards in a straight line but bend in noticeable arcs before bursting into a bright red flame.
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