Anastasia and Christian get married, but Jack Hyde continues to threaten their relationship.Anastasia and Christian get married, but Jack Hyde continues to threaten their relationship.Anastasia and Christian get married, but Jack Hyde continues to threaten their relationship.
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The whole triology draws extreme attention, which is really sad for the film industry, and it says really much of the people today. This triology represents probably the biggest commercial junk there is, and the insane amount of people are here to see it, and, of course, are fulfilling the sole purpose of these films - money. I have watched all three films so I could give a review, but just thinking about it gives me an utter nausea, it was extremely hard to persevere through that toxic waste and to see other people enjoying the same.
What gets me the most is that the audience for independent films, art films are extremely small, and for making those films, people give their hearts out, those are the ones that have something to give to the audience and to the film industry itself - pure, raw art.
What gets me the most is that the audience for independent films, art films are extremely small, and for making those films, people give their hearts out, those are the ones that have something to give to the audience and to the film industry itself - pure, raw art.
If I could give a 0/10 rating I would. Christian's character has nothing interesting left to offer. Anastasia was scripted to seem like she is taking initiative (somewhat) and defying christian but her acting is clumsy and she does an awful job at coming across as even slightly empowered. The only good acting in the entire film comes from the banker. The plot is lazily thrown together and the attempts at suspense are god awful. The only people who will enjoy or defend this movie are absolute die hard fans. If you consider yourself a movie buff or even just someone who casually enjoys movies, DO NOT SEE THIS. I will spare you the frustration. I even enjoy bad movies, I love having fun with a bad movie and making jokes about it to my friends while we watch it. I did that in this film but even that was not enough to make this an enjoyable experience. The "BDSM" in this film is a sad sad portrayal that only the oldest, driest, and most sexually frustrated wine moms will find arousing. A TSA pat-down is kinkier than this excuse for erotica. The sex scenes feel very required and obtuse. The ending is a horrible attempt to tie things up and make them feel complete, it is incredibly cheesy, as is every single bit of dialogue in this film. I can't even continue to review this because if I do I will need to down a bottle of excedrin. Just don't waste your money.
I have to be honest. I am not a fan of the series. Nor the books nor the films. It just didn't speak to me. However... My better half insisted this will be a fun movie. She prepared me it is no Dostoyevsky we were about to see but god almighty was I in shock how far it went. This must be the least coherent, most half-arsed, pointless movies I have ever seen in this sharade we call life. The sheer boredom spread through the unbearable laziness of the script, the empty looks of the actors, the meaningless cuts, senseless sequnces of the scenes... I just couldn't believed it... This was greenlit by someone?! Good god. Made me miss Twilight...
"Fifty Shades Freed" (R, 1:45) is the third and final installment in the trilogy of erotic S&M-tinged movies based on the novels by E.L. James (after 2015's "Fifty Shades of Grey" and 2017's "Fifty Shades Darker"). This one begins where most romantic films end - with a wedding. Having accepted the sweet marriage proposal of troubled billionaire entrepreneur Christian Gray (Jamie Dornan) at the end of the second film, book editor Anastasia Steele (Dakota Johnson) vows her faithfulness and devotion to her beloved in the first scene of this film and he responds in kind. They're over-the-moon happy. Then reality sets in.
Mr. and Mrs. Gray have to cut their honeymoon in France short when Christian receives a phone call about a data breach and fire in his corporate offices. They quickly discover that the perpetrator is an old enemy, but they're not sure what he's after. As Christian works his back channels to find out (and keeping much of what he finds from his new wife), the two of them struggle through many of the growing pains which most newlyweds deal with - but it all seems to come up in a very condensed period of time. Should she go by "Mrs. Gray" or "Ms. Steele" at work? (And should/does he have any say in the matter?) How much control should they have over each other's lives and activities? (especially since control has always been such a theme and point of contention in their relationship) Do they want kids? (How the hell did they not discuss this before they got married??) Oh, and how much personal security should she have? (Like I said, typical newlywed issues.) And then there's the growing threat from the someone(s) from their past - who is seriously f****ing with them... while they f*** each other... often.
Yes, even with everything else going on, there are still plenty of sex scenes (both the typical kind and the kinky), but the sex (especially the S&M) almost takes a back seat to the plot at this point in Christian and Ana's saga. As in the two previous films, the conflicts feel contrived, but they do add some extra layers of drama to this story - and even some danger and suspense. In my opinion, the first film had the most exciting sex scenes, the second one had the best story and this one has the best mix of elements. None of these movies are going to be confused with high cinematic art, but they still can be pretty enjoyable, if you accept them for what they are - sexy romantic fantasy. After all, that's what E.L. James' series of books is about (as amateurishly written as they are) and isn't escapism one reason we go to the movies? This one is pretty entertaining in its genre, especially for fans of the books, and that's good enough. "B+"
Mr. and Mrs. Gray have to cut their honeymoon in France short when Christian receives a phone call about a data breach and fire in his corporate offices. They quickly discover that the perpetrator is an old enemy, but they're not sure what he's after. As Christian works his back channels to find out (and keeping much of what he finds from his new wife), the two of them struggle through many of the growing pains which most newlyweds deal with - but it all seems to come up in a very condensed period of time. Should she go by "Mrs. Gray" or "Ms. Steele" at work? (And should/does he have any say in the matter?) How much control should they have over each other's lives and activities? (especially since control has always been such a theme and point of contention in their relationship) Do they want kids? (How the hell did they not discuss this before they got married??) Oh, and how much personal security should she have? (Like I said, typical newlywed issues.) And then there's the growing threat from the someone(s) from their past - who is seriously f****ing with them... while they f*** each other... often.
Yes, even with everything else going on, there are still plenty of sex scenes (both the typical kind and the kinky), but the sex (especially the S&M) almost takes a back seat to the plot at this point in Christian and Ana's saga. As in the two previous films, the conflicts feel contrived, but they do add some extra layers of drama to this story - and even some danger and suspense. In my opinion, the first film had the most exciting sex scenes, the second one had the best story and this one has the best mix of elements. None of these movies are going to be confused with high cinematic art, but they still can be pretty enjoyable, if you accept them for what they are - sexy romantic fantasy. After all, that's what E.L. James' series of books is about (as amateurishly written as they are) and isn't escapism one reason we go to the movies? This one is pretty entertaining in its genre, especially for fans of the books, and that's good enough. "B+"
This film tells the story of Anastacia's married life, after marrying the billionaire Christian Grey.
The story is basically a romance for women, with a lot of sex scenes involved. There is a lot of eye candy, but there is not a lot of substance. Even the scenes featuring the villain are not that terrifying.
The story is basically a romance for women, with a lot of sex scenes involved. There is a lot of eye candy, but there is not a lot of substance. Even the scenes featuring the villain are not that terrifying.
Did you know
- TriviaThe cover for the DVD box of "Fifty Shades Freed" is the exact opposite of Fifty Shades of Grey (2015). For the first movie's box cover, Anastasia is the one with her arms up, while Christian is the one about to kiss her, but for this movie's box cover, Christian is the one with his arms up, while Anastasia is about to kiss him.
- GoofsAna is able to withdraw $5 million in cash from her bank in a matter of minutes, but no bank routinely keeps that much cash on hand.
- Quotes
Christian Grey: Good morning, wife.
Anastasia Steele: Good morning, husband.
- Crazy creditsThere's a mid-credits scene: A couple of years later, Anastasia and Christian are playing with their son. She's pregnant again.
- Alternate versionsThe running time quoted by IMDB, "1h 45m," is for the theatrical version. There is also a longer, unrated version, released chiefly for home distribution, running at 1 hr 50 min, five minutes longer. The unrated version includes, among other scenes, two with Kim Basinger, who plays Elena Lincoln, an ex-girlfriend of Christian, and supposed origin of his peculiar tastes. Kim Basinger earlier starred in the movie "9½ Weeks" (1986), a movie about a woman who begins an affair with a man that is characterized by unusual sex games, like the sex in the Fifty Shades trilogy. The book that that movie is based on, by author Elizabeth McNeil (a pseudonym for Ingeborg Day) is, like the "Fifty Shades" books, much more explicit about the S&M aspects of the relationship, although it concludes with an "unhappy" ending, wherein the relationship ends badly. Another difference is that Elizabeth McNeil's original novel is supposedly based on a true story, whereas the author of the Fifty Shades trilogy has never made that claim.
- ConnectionsEdited into Funny or Die Presents...: Fifty Shades of DeVito (2018)
- SoundtracksCapital Letters
Written by Ellie Goulding, BloodPop (as BloodPop®), Raye (as Rachel Keen), Ely Weisfeld, Andy Jackson (as Andrew Jackson), Hailee Steinfeld
Performed by Hailee Steinfeld x BloodPop (as BloodPop®)
Produced by BloodPop (as BloodPop®)
Orchestral Arrangements by Pete Anthony & David Buckley
Hailee Steinfeld appears courtesy of Republic Records
BloodPop® appears courtesy of GENPOP, Corp. under management by Mastor Craft/Blood Company
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Details
Box office
- Budget
- $55,000,000 (estimated)
- Gross US & Canada
- $100,407,760
- Opening weekend US & Canada
- $38,560,195
- Feb 11, 2018
- Gross worldwide
- $371,985,018
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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