When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run.
In a small and isolated town, Simon Dubé dies in a car accident. The stunned townspeople are reluctant to discuss the circumstances of the tragedy. From that point on time seems to lose all meaning, and the days stretch on without end.
A film about three siblings. All have reached a point where they have to change something quickly before the second half of their lives begins. Between chaos, inadequacies and losses, they search for a path that might lead to happiness.
Ichiko is a care-giver and a nurse. She provide home-care to the Oishos' elderly woman and is almost considered part of the family as she visits and performs her tasks routinely. What is ... See full summary »
Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a business consultant. But when a tragic event forces the past back into her life, Lola's grip on reality seems to slips away.
Pauline Kael, the New Yorker film critic for 25 years until the early 1990s, was a lightning rod of American culture. She waged a battle to be recognized and her opinions made her readers hate or love her. Her distinctive voice pioneered the art form, and was largely a result of stubborn determination, huge confidence, and a deep love of the arts. The movie also shows 20th-century movies through Pauline's eye, and shows Pauline's own life through moments of other movies. The filmmakers had complete access to the subject -- through Gina James, Pauline's only child and the executor of her estate; friends and colleagues; and Pauline's personal archives. With over 30 new interviews, including David O. Russell, Quentin Tarantino, Camille Paglia, Molly Haskell, Alec Baldwin Greil Marcus, Paul Schrader, John Guare and Joe Morgenstern. Sarah Jessica Parker voices Pauline through her writing and letters.
Makes her even more human. But also makes her even more of an enigma
Sometimes a good biopic attempts to hand you the human being behind the persona. In a really good biopic however, a filmmaker can take take you behind the persona, beyond the human being, deeper, into the enigma. Leaving you feeling that you know Pauline Kael but you now know her even less. Which is like someone feels about a loved one who's now dead. And gone. Lovely film.
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