Un peu, beaucoup, aveuglément! (2015)

He is a dedicated workaholic who lives and breathes his work. He prefers nothing more than silence. She is an accomplished pianist working on her big-break concert. To her, music and sound ... See full summary »

Director:

Clovis Cornillac

Writers:

Lilou Fogli (scenario), Clovis Cornillac (scenario)

Stars:

Mélanie Bernier, Clovis Cornillac, Lilou Fogli

Cast

Cast overview, first billed only:
Mélanie Bernier	...	Machine
Clovis Cornillac	...	Machin
Lilou Fogli	...	Charlotte
Philippe Duquesne	...	Artus
Grégoire Oestermann	...	Evguenie
Oscar Copp	...	Dan
Boris Terral	...	L'inconnu italien (as Boris Teral)
Manu Payet	...	Le caissier Picard
Arnaud Lechien	...	Paul
Stéfan Godin	...	Déménageur 1 (as Stefan Godin)
Harrison Arevalo	...	Déménageur 2 (as Harisson Arevalo)
Olivier Bouana	...	Mathieu
Rudy Milstein	...	Igor
Claude Evrard	...	Vleux voisin
Sophie Le Tellier	...	La mère de Juliette

Storyline

He is a dedicated workaholic who lives and breathes his work. He prefers nothing more than silence. She is an accomplished pianist working on her big-break concert. To her, music and sound is everything. Separated only by a wall, things get interesting.

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Plot Keywords:

neighbor neighbor relationship | paris france | dinner | cooking | love | 

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Genres:

Comedy | Romance

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Certificate:

Not Rated

Details

Official Sites:

Paramount Pictures [France]

Country:

France

Language:

French

Release Date:

6 May 2015 (France)

Also Known As:

Blind Date

Filming Locations:

Paris, France

Company Credits

Production Co:

Cine Nomine, Fait Play, Vamonos Films

Technical Specs

Runtime:

90 min

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Goofs

When Machine and Charlotte (the two sisters) are on the phone at the beginning of the movie, their smartphones' screens are very clearly on.

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Soundtracks

D'aventures en aventures
Composed by Serge Lama

User Reviews

A Wall Apart

Full disclosure, 2016 hasn't been a great romancing year for me, so I get easily irked by too much quirky stuff or unsubstantiated love kernels. And for the most part, easy-breezy romcoms tend to consist of a string of those. So it's at least partly my fault that Blind Date didn't stick.

Then again, it felt like all the creators were working with was a concept and a final scene: the former bordering on the absurd, the latter more romantic than I was set up to expect, by the look of things. Everything else was filled in with a competent, but cloggy and predictable plot and endearingly cardboard-y characters. OK, that's harsh. The leads have a tinge of something special about them, both reclusive introverts, passionate creatives - playfully nicknamed Machine and Machin. Separated by a thin and not at all soundproof wall, they get to organizing their lives around one another and ultimately fall for each other. The secret sauce lies in them not having seen each other and therefore being able to focus on the essence of what's being conveyed. At times, the two even have enough personality to be more than cardboard cut-outs.

Instead of spending more time with them, we're served with two second-hand supporting characters, the adulterous sister (or was it friend?) of 'Machine' and the overly supportive friend of 'Machin'. The problem with these two is that they bring nothing to the story. Instead, they are classic counter-points - the rebellious matron to the timid girl, the happy-go-lucky fellow to the misanthrope. This makes them superfluous, because no time is dedicated to truly fleshing them out enough for anything they do to even matter.

Coming back to our protagonists, their purpose is to free one another of what's tying them down, while also coming together. For one, it's a perfectionist obsession with the creation brain-teaser games; for the other, it's a perfectionist obsession with playing the piano. It fits, we do like fixing in others what we can't fix in ourselves. This takeaway, so common to romantic comedies, is the bane of my existence. To its defense, Blind Date tries to nuance the matter, as one might find motivation in another, but still needs to independently commit to change. Even so, there's just an excessive amount of wish fulfillment about the movie, as too much is left unexplored to really make it worthwhile. Luckily, the bits of Chopin scattered throughout help out.

People seem to like the flick, so with my disclaimer in mind, take what you will out of this review. Yet I cannot help being disappointed, because while it does feel authentic at points, it predominantly appears trite. Maybe I should just lower my pretentious romcom bar a notch or two.