An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a... See full summary »
Roman returns to the land he has just inherited from his grandfather. Fully decided to sell this vast but desolate property, he is warned by the local cop that his grandfather was a local ... See full summary »
Foreigners who apply to become Swiss citizens have no easy task - especially when the police lets Bodmer loose to check upon their background, their integration in the society, and the ... See full summary »
Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.
Three days after the terrorist attack on the offices of Parisian weekly Charlie Hebdo and forty days after the death of his father, Lary, a doctor in his forties is about to spend the Saturday at a family gathering to commemorate the deceased. But the occasion does not go according to expectations. Forced to confront his fears and his past, to rethink the place he holds within the family, Lary finds himself constraint to tell his version of the truth.Written by
69. Cannes International Film Festival 2016
There are two things you need to be willing to embrace before you watch this film. First, the film is not going to make the connections between the characters easy for you. If you are a lazy viewer who is not paying close attention to the dialogue or you do not grasp the connections between the various dramas that are played out, you might be frustrated with what superficially appears to be a lack of direction and feel the film is "pointless". Second, the film is EXTREMELY Eastern European in character. If you want a Hollywood ending you will not find it here.
However, I simply love films like this that propel you into a difficult family situation and spend most of the film time there, allowing you to try to figure out for yourself what's going on. "The Godfather" is one example; I was also a huge fan of Roman Polanski's "Carnage". For people who like that kind of thing this film is a huge treat. It is only at the very end, after the slightly odd car monologue by the main character, that you really feel satisfied with what the film has accomplished and that you have come to understand a subtle coherence within the mess of individual failed narratives. Every character in this film is a self-actualized, 21st century individual who has come up with their own personal story about how the world works. The film's plot makes that obvious, but the remaining questions are up to you: where are the lies? Where is the truth? What happens to the main character at the end? This is a rather beautiful puzzle to behold.
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