New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
Journalist Fred Flarsky reunites with his childhood crush, Charlotte Field, now one of the most influential women in the world. As she prepares to make a run for the Presidency, Charlotte hires Fred as her speechwriter and sparks fly.
June Diane Raphael
We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson's case, by shouting out one word - SHAZAM - this streetwise fourteen-year-old foster kid can turn into the grown-up superhero Shazam.
The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.
Millie Bobby Brown
JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend's untimely death, he needs an education only his dad can provide. Absent throughout JJ's youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem's heroin-infested underbelly. And while JJ's own FBI analyst's badge may clash with his dad's trademark leather coat, there's no denying family. Besides, Shaft's got an agenda of his own, and a score to settle that's professional and personal.
In 2019, as the trailer made clear, all three generations of the family members named John Shaft exist in the Warner Bros-New Line Cinema-Netflix sequel confusingly also entitled "Shaft". Further to add confusion, with three lead characters sharing the same name, from the original MGM version, the family tree relationships are broken down as; Richard Rountree as (uncle/great-uncle) John Shaft, Samuel L Jackson as (nephew/father) John Shaft (Senior/II from RR version), and Usher as (great-nephew/son) John Shaft (Junior/II from SLJ version/III from RR version). See more »
In the end of the movie, JJ unties Sasha's cuffed hands. A few scenes later, when Gordito is pointing his gun on Shaft, the hands of Sasha are tied up again. See more »
[to herself after running toward danger and then running right back]
Nope, nope, that's some simple bitch shit. Okay, we ain't gonna be her.
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Midway through the end credits, a hip-hop song abruptly stops, we hear a radio scanning, and then it lands in the middle of an old-school R&B ballad. This is a callback to a scene earlier in the film when Jackson changes the station on the car radio. See more »