A group of five women go camping in the woods to celebrate a friend's birthday over 4/20 weekend. But when they cross the turf of an illegal marijuana grow operation they must struggle to survive the living nightmare.
Just out of prison, Nas returns to his neighborhood, Pigalle, where he finds his friends and his older brother Arezki, boss of the bar Le Prestige. Nas is determined to recreate a name and Le Prestige could well serve as a springboard .
A romantic escape into nature turns into the ultimate moment of reckoning when a husband and wife are trapped in a tent with a deadly snake. Unable to escape and with certain death looming,... See full summary »
A couple of weeks after his wife Ioana dies in a car crash, drunk and alone on the night he turns 42, Alexandru receives a visit. Sebastian, a shy, younger man, has been Ioana's lover for ... See full summary »
The story of the 44 episodes of Starhunter is revealed in 'Starhunter, Creator's Cut' as originally intended by the show Creators. Censored scenes restored, bold ideas returned, episodes ... See full summary »
When Marley meets Brendon in the flat, Brendon's henchman is flicking through the pages of the book A Colder War by Charles Cumming. The story is about a former spy seeking redemption for previous mistakes, much like Marley. See more »
Phrases like 'slow-burning' and 'low key' cannot begin to give a true idea of this film. It is far from perfect, feeling longer than its actual running time, but rewards those with the patience. It is a story of redemption, consciously set in a gritty world of prostitution and sexual abuse, crime and corruption, that will be alien to most but defines the lives of too many.
Sadly, many of the characters are not fully realised. We have little sense of how anybody came to be where they are at the opening of the tale. The protagonist, Marley, is the only person with a backstory, but is played so flatly that it is difficult to like him despite his efforts to do 'the right thing'. Frederick Schmidt is capable of better.
I was also a little disappointed at the cop-outs. The ghost of Ana is given responsibility for some of Marley's actions. Although she is clearly a driver, it is he who has agency and should be portrayed as such. This shying away from the uncomfortable is reinforced by a theme of the film: the idea that men are waiting around for children in care to reach their sixteenth birthday is a myth, one that I cannot square with the rest of the story. Are we to believe that people who force women into sex, murder them, conspire with social services to access vulnerable children, and deal in drugs and financial corruption would somehow draw the line because of an arbitrary date? The organised abuse of teenagers in many parts of UK was no secret when this film was made.
If I sound harsh, please forgive me. I have watched this film twice now, and gained something each time. Perhaps the faults make the good parts stand out more. Whatever, an insightful and hard hitting film worthy of attention.
0 of 0 people found this review helpful.
Was this review helpful to you?
| Report this