Minority Report

The sinking feeling starts within five minutes of viewing, wherein the interesting setup is dumped in favour of a generic setup we've all seen dozens of times before. Strip away the sci-fi trappings and you're left with yet another police procedural 'spiced-up' by the presence of a 'unique' quirky partner. If you've seen Monk, Bones, Castle, The Mentalist, any of the modern Sherlock Holmes iterations, Continuum, Medium, Numbers, Psych, Lie to Me or even Diagnosis-goddamn-Murder then you've literally seen everything 'Minority Report' has to offer you.

Genuinely a shame, what an absolute waste of potential. The one highlight was seeing 'Fez' from 'That 70s Show' acting in something, possibly the worst part was that he was the best actor in the show.

Saying this has a "terrible story" just from 1 episode is rather impulsive of people. You've no idea how it'll go, well unless you are a psychic. Rest is just assumption. So sit down your butts for a bit there.

It's not a totally garbage show as most complainers have been saying. It's OK. Watchable. Acting is top notch? No. But it's OK, nothing terrible about it. Is the show original? No. But who cares? Most of the shows on TV are rehashed. You cannot expect writers to pop out originals all the time. It might get better, or become worse. Although it's likely it'll get cancelled.

If you loved the movie, you may be mildly amused with the pilot's special FX and sci-fi predictions, but you'll hate the horribly clichéd writing. This is cop procedural dreck, including such moldy oldies as the miss matched partners comprised of a "fish out of water" white guy (with all the answers)paired with streetwise black female cop. I could live with the procedural elements, if they captured some of the tension and suspense demonstrated in the open of the movie with Tom Cruise's character stopping the domestic murder/suicide. Unfortunately the writing is so trite and unimaginative you'll see every twist coming.

Everyone in the cast does an OK job with the limited parts their given except Megan Good, who is anything BUT good. Her performance is completely broad and two dimensional. Good delivers her character like she just stepped out of a sitcom. She shows no depth, comes across completely unbelievable as a detective and demonstrates such limited emotional range she comes across like corporate spokesmodel.

All in all Minority Report the Series tarnishes the memory of the movie, which, though entertaining, was no Spielberg classic to begin with. After the TV blandness of Terra Nova, The River, Smash, Falling Skies, The Whispers, Extant and Under the Dome maybe Mr. Spielberg should get out of television productions all together and focus on directing great movies.

Well, well, well ... what do we have here !!! I do believe Fox is just trying to air anything just to fill the slots in the summer vacation.

To be quite fair the pilot wasn't that bad yet it wasn't really good !! the script was just mediocre even the supposedly thrilling moments weren't really jumpy or catchy as they're were meant to be, and the the Sci-Fi still not feeling the Wowzer Tech deal to make me engage more that it is really a Sci-Fi.

i believe this is the first experience of TV screenplay writing for Max Borenstein and i think he got over-Encouraged to do this after he wrote Godzilla's screenplay ,, but i think this was a premature move .

As for The Cast,, Stark Sands was just okay his face in feeling fear was fine but other than that it was senseless, Meagan Good is lovely but i think she should be more concerned about the other new show "Mr. Robinson" and just be more active on it,.. Wilmer Valderrama is okay too.

Overall,, the pilot went much lower than i expected and i advise no one to pursue watching this.. Unless ... the script get more excitement.

Compared to recent surge of sci-fi series, Minority Report is looking more refined with clearly better production. However, this doesn't have the same thrilling spirit from Tom Cruise's action thriller. The precognition concept has been reduced to typical paranormal investigation like that of Tru Calling or first season of Heroes. In fact, this may have had more buzz if it aired a decade ago.

If you're not familiar with the source, or understandably forget the story, the show opens with brief narrative about the movie. In near future authority used precog system by plugging three siblings into a machine, a mix between psychic and technology to determine crime before it happened. Unfortunately, Tom Cruise proved that it had flaws and the project was scratched.

One of the siblings, Dash (Stark Sands) now leads a normal witness protection life, but he still has the clairvoyance gift. With the help of a female police officer Lara Vega (Meagan Good) he helps solve crime in a rather timid sci-fi crime drama. The cast is leaning towards light comedy than thriller, which is perhaps intentionally made to suit the series.

The problem is the two leads don't mesh together well. Stark Sands has the quirky savant look, but he doesn't possess the on-screen presence for a capable lead. Flash and Mr. Robot have intelligent character that work for them, sadly that's not the case here. Meegan Good is attractive for the lead female, but she's an odd choice for tough female role. While she does look fit, it doesn't translate to serious femme fatale personality.

Its change to more humorous tone is different from the futuristic noir of the movie, it's not bad and probably better to accommodate TV series. It does rely too much on casual cop spectacle, yet doesn't really have the draw or chemistry such as Castle. Not to mention the use of psychic is getting old, the foreshadowing gimmick feels like a puzzle played too many times.

The presentation is impeccable though. It's obvious that the show invests a lot on making the world looks brightly inviting. The details for gadgetry, environment and investigation are splendid. This world definitely could work for foundation for TV series, although the narrative and characters are not as intriguing.