Abandoned by Moscow and desperate for cash, the East German leadership pushes their secret operatives to experiment with global capitalism and save their sinking socialist ship. Long ... See full summary »
Caterina Schöllack runs a dance school in Berlin in 1956. It is her goal to give her three daughters the best possible opportunity, meaning to ensure that they marry well, but until then ... See full summary »
Beat works as a promoter in Berlin's most famous techno club and does not miss a party himself. The european secret services recruit him as an undercover insider. Soon, he discovers the ... See full summary »
Ambitious Jana is confronted with the unscrupulous machinations of the world of finance. Her working life is determined by egotism, the pressure to succeed and machismo. She soon has to decide how far she is prepared to go for her career.
Set in a divided Germany in 1983, during a peak period for Cold War tensions between East and West. Martin Rauch, a wide-eyed 24-year-old East German soldier plucked from obscurity, goes undercover as a West German soldier for the East Germany Secret Service.
Major Tom (Coming Home)
(Opening credits theme song) (English version)
Written and performed by Peter Schilling See more »
Refreshing to watch the beginning of this series on Sundance Channel, a foreign language entry that catches a moment in recent German history without the usual quintessential archetypes and funny accents of any random American production involving Germans. The tables are turned in fact because it is the American characters speaking German who seem a bit less than convincing. English subtitles are no major distraction, because the script is terse and direct.
As in most German cinema, nothing is left to the imagination. If a character is destined to be a hero or a saint (or something in between) that element is telegraphed in advance by the director's emphasis on a frown, an arched eyebrow, a look of confusion, or a surreptitious stage movement. We know where the series is going by the end of the first episode, yet we identify with the young man at the center of the story irrespective of his opening attitude. There is none of the ambivalence or inchoate suspense found in one of John Le Carré's filmed spy novels.
I am looking forward immensely to viewing the remainder of the series in spite of not believing, really, that many of the easy coincidences, arch villains, clandestine meetings in the woods, and other stereotypical story devices could have actually happened.
37 of 51 people found this review helpful.
Was this review helpful to you?
| Report this