Exploring the serious issue of Human trafficking in our own country; especially the trafficking of children as young as five years. Giving an inside look at the devastation these children face on a daily basis.
Johnny Rey Diaz
This live-action film is set in a modern Japan where the government combats a low birthrate by matching men and women dependent on an analysis of their DNA. With two men and a girl as the ... See full summary »
The Artificial Intelligence Revolution is happening, and America is watching it on their Living Wall flat screens and Genius Phones. Homeland Security's Cyber Crime Division is the only ... See full summary »
Iris is haunted by a mysterious stalker and her own dreams. FBI agents surround Iris while bodies stack up around her. A modern day Dr. Jekyll and Ms. Hyde, Iris tries to survive as she is ... See full summary »
KateLynn E. Newberry,
Rebekah Hart Franklin
Nina, a teacher in her mid-30s struggling to have a child, looks for a surrogate mother. It would seem that with her husband, she has found an ideal candidate, yet Nina falls for the woman who could have given birth to her child.
When Chris gets mixed up with the Russian Mafia and Algerian gangsters while trying to help his best friend pay off a large debt, he has to decide if he puts his career on the rocks by ... See full summary »
PURASANGRE tells the story of how a crew of 5 professionals are forced to rob a famed Horse Racetrack and Casino complex. The plan is simple; stash the loot for five years and stay under ... See full summary »
Harmon is a CIA/DEA enforcer investigating terrorists captured in Mexico. With his team--seductive FBI agent Zara and spy-drone pilot Sharp--he flies to Istanbul and uncovers a brutal plot:... See full summary »
"Muffin Top: A Love Story" is the story of Suzanne (Cathryn Michon) a Women's Studies Pop Culture professor at Malibu University, who studies images of women in the media for a living, and ... See full summary »
The concept for 'Aux' was a sort of interesting one, if in the danger of being silly. The cover and advertising was quite advertising. And although John Rhys Davies has been in his fair share of bad projects, he also has been in his fair share of good stuff too and he is a reliable actor and my main reason for seeing it.
'Aux' for me was not a bad film, much better than has been said already (and certainly don't have bias against low-budget British films, there are bad ones definitely but not all) and does have its pros. It is far from great and has a lot of big problems that outweigh the pros, but there are far worse films out there that are much more cheaply made, worse acted, less atmosphere, more intelligence insulting and made with much less effort.
Best thing about 'Aux' is Davies, cast against type and giving a haunted performance that is different from the usual authority figure or characters with a blustery nature. Actually generally found the adult cast better than average.
Production values could have been worse, it at least looks coherent and there is slickness and atmosphere. Parts do compel and unsettle, though they don't come consistently, the car crash and bunker scene particularly as well as the gruesomeness of the killings.
However, 'Aux' does get off to a weak start. It is rather dull, inexperience does show in the acting and the dialogue is particularly off in a script that feels awkward and underwritten. While the production values as said above could have been worse, it can feel on the confined and too compact side even if the bleak look does fit the concept. Effects are somewhat ropy.
Story does pick up a little after the shaky start, but does lack generally creepiness, tension and suspense, let down by a pace that needed a tighten and too much talk. A few parts, like the out of place picnic scene, come over as unintentionally funny and while 'Aux' does try to provide a reason for the killings it was for me not an original or compelling one, and some of it veers towards being too silly. The direction is uneven and other than Davies' character the characters are flimsily developed.
Overall, not particularly good but could have been much worse. 4/10 Bethany Cox
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