After suspecting that their police officer neighbor is a serial killer, a group of teenage friends spend their summer spying on him and gathering evidence, but as they get closer to discovering the truth, things get dangerous.
When you think the suburbs, you think safety, but this holiday night the suburbs are anything but safe. Ashley (Olivia DeJonge) thought this babysitting job was going to be an easy night, but the night takes a turn when dangerous intruders break in and terrorize her and the twelve-year-old boy, Luke (Levi Miller), she's caring for. Ashley defends her charge to the best of her ability only to discover this is no normal home invasion.
Olivia DeJonge and Ed Oxenbould also starred together as siblings in The Visit (2015). See more »
[to her snowman]
Just your nose and we're done, Mr. Frost.
[an older boy smashes the snowman's head with a baseball bat]
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SPOILER: After the first set of credits, there is a scene with Luke saying he is worried about Ashley and wants to go to the hospital to check up on her. See more »
Recently I'd thought up a game for myself: Can you guess the movie/book's ending or twists? It's a fun game, actually. I've come to realize how much I can predict and intuit just by employing some imagination. With this movie I hit the bull's eye. All I had to do was look at the inappropriate behavior of the actors to know what was coming. This was partly due to the reviews I'd read prior to seeing this movie, which pointed out the 'original' plot twist involved. So I said to myself, 'What do you think the creators would have thought of in this case, that would seem like an original thing?' And there you go, you end up with something not only banal but downright embarrassing.
I don't know what to make of this movie as a whole, for I found it uninteresting and unfocused. Without revealing any key points in the plot I can only say that it might have worked half better if it concerned a bit older characters. It's not that the film itself it a complete waste, no. It has its value of entertainment, whatever that means, and sue it's going to be appreciated by a lot of people, especially the millennial generation.
We've already seen such nihilistic approach with intention of evoking horror in the viewer, because, after all, what's more disturbing that the complete disregard for life and morals? Why does seem so utterly appalling when someone just commits murder and all they do is act like 'Oops! Well that's interesting,' and then shrug it off forget about it as if nothing happened? No frustration, no delayed regret or even painful satisfaction...
The problem here is that I was just left pi$$ed off and not a bit scared or wiser.
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