IMDb RATING
5.7/10
8.2K
YOUR RATING
Reeling from a terrifying assault, a 19 year-old enrolls into college with his brother and pledges the same fraternity. What happens there in the name of "brotherhood" tests him and his loya... Read allReeling from a terrifying assault, a 19 year-old enrolls into college with his brother and pledges the same fraternity. What happens there in the name of "brotherhood" tests him and his loyalty to his brother in brutal ways.Reeling from a terrifying assault, a 19 year-old enrolls into college with his brother and pledges the same fraternity. What happens there in the name of "brotherhood" tests him and his loyalty to his brother in brutal ways.
- Awards
- 5 nominations total
Featured reviews
Being in a fraternity myself I could relate to the abuse that's portrayed in the film. Well done but maybe a little loud and manic. Nice cameo by James Franco too. Not something you'd wanna watch twice...
I saw this film in the early hours of the morning on British television, without any recommendation to watch it. It was one of the most necessary, and at the same time one of the most brutal films I have ever seen. I do not want to give away spoilers, but the opening credits of half naked men shouting warned me that this was not going to be entertainment, and the opening scenes of a young man being beaten almost to death made me want to turn the film off. I watched it and followed this young man's path to recovery, and along with his brother entering an elite school for further education. Here the real horror began. He had to prove his worth by being 'hazed' which is as I understood it a ritual of various tortures to become 'worthy' of being there. The tortures and the verbal abuse I will not describe, except to say that it was like watching pages of description out of De Sade. The most used of the verbal abuses was anti-gay, along with others used against women. This was the heart, if that is the appropriate word, of the film, along with physical humiliation and torture. Not since Pasolini's 'Salo' have I seen a film like this; another condemnation of human nature that was equally necessary to see and try to understand. The film, as film, is in my opinion equal to Pasolini both for its cinematic merits, and also for daring to go into the lowest depths of humanity. I expected a very violent climax, but instead I saw the young man trying to come to terms with what he has been through. I must just add that there was no disjunction between the opening violence, and the violence in the school. As far as I could see they completed the circle of extreme torture filtering down from the top of society to the most dispossessed in our society. Necessary films are actually quite few, but this in my opinion is one of them. A fully justified 10 for its content, and what it tells us about aspects of human behaviour we would rather turn away from.
The title and promotional photo of this film serve as early warnings that this is going to be an unpleasant story, especially because it's not labeled a comedy as many frat movies tend to be.
This is the story of Brad, a sweet guy from the midwest, who joins his real-life brother's fraternity. Having gone through the college fraternity experience myself, I can attest to this film's realistic portrayal of hell week and brotherhood. But the story, as good as the acting is, lacks insight into why the brothers continue putting pledges through horrific initiations year after year. We get no view into what the active brothers are plotting each day and why. Neither are we privy to their conversations outside the hazing. There's brief conflict between Jonas and his peers, but it's so short, and it would have been natural to dig into more intra-brother conflict as to the absurdity of hell week.
The entire middle act of the film focuses on one hazing incident after another. The result is a film that largely treads water until it hits the crisis (one of the pledges doesn't make it), the climax (an investigation) and ultimate resolution, which is weak at best. We also get no interaction between the fraternity and the rest of the campus or community, which gives the film an odd isolation. But I get it ... the director/writer/producers wanted to keep the story strictly focused on the fraternity.
That said, superb performances by Jake Picking, who plays Dixon, the frat president, Nick Jonas and Ben Schnetzer (a rising young actor who shows real promise). I've always like Jonas subtle, nuanced performances, where he displays a natural affinity for the screen. He never looks like he's acting.
Schnetzer does an excellent job playing little brother, but trying hard to be his equal.
This is the story of Brad, a sweet guy from the midwest, who joins his real-life brother's fraternity. Having gone through the college fraternity experience myself, I can attest to this film's realistic portrayal of hell week and brotherhood. But the story, as good as the acting is, lacks insight into why the brothers continue putting pledges through horrific initiations year after year. We get no view into what the active brothers are plotting each day and why. Neither are we privy to their conversations outside the hazing. There's brief conflict between Jonas and his peers, but it's so short, and it would have been natural to dig into more intra-brother conflict as to the absurdity of hell week.
The entire middle act of the film focuses on one hazing incident after another. The result is a film that largely treads water until it hits the crisis (one of the pledges doesn't make it), the climax (an investigation) and ultimate resolution, which is weak at best. We also get no interaction between the fraternity and the rest of the campus or community, which gives the film an odd isolation. But I get it ... the director/writer/producers wanted to keep the story strictly focused on the fraternity.
That said, superb performances by Jake Picking, who plays Dixon, the frat president, Nick Jonas and Ben Schnetzer (a rising young actor who shows real promise). I've always like Jonas subtle, nuanced performances, where he displays a natural affinity for the screen. He never looks like he's acting.
Schnetzer does an excellent job playing little brother, but trying hard to be his equal.
The awful, normalised rituals of American fraterities are addressed in 'Goat'. I can't say if the brutality we see see here is commonplace; but it's certainly a documented fact that new recruits are basically tortured, encouraged by social pressures to consent, and college authorities turn a blind eye. But 'Goat' is a peculiar film, because it ties in this story with a secondary tale about an unrelated attack on one of its protagonists, and I don't really understand the intention of linking the two stories. The hazing rituals occupy by the bulk of the film, but at the end, no longer seem to be the point. In consequence, the movie is horrific, but oddly unfocused.
I screened #GOAT starring #BenSchnetzer and #NickJonas and although the hazings in the film can get over the top, one can't help but wonder if hazings in real life frat out there can really get that violent, especially since the college I attended didn't have Greek houses so I never personally experienced pledges. But GOAT has its own way of rattling your comfort zone. The psychological pain the characters inflict on each other is more disturbing than last year's "The Stanford Prison Experiment."
Directed by Andrew Neel, in GOAT, Ben Schnetzer's character, Brad Land earlier on in the story goes through an initial violence so traumatizing that it pretty much sets up his motivation throughout the entirety of this film. He joins his brother Brett's (Nick Jonas) fraternity and as the pledging ritual moves into hell week, the stakes grow more violent, more humiliating, and more torturous, all in the name of brotherhood, or is Brad trying to prove something else? Based on Brad Land's memoir, co-written by Andrew Neel, David Gordon Green and Mike Roberts, the film deals with the questions of which rites of passage are worth taking and which ones are not and where do you draw the line. There are plenty of hazings in this film, you really don't know what to expect because each of them is shocking in its own way, it becomes ingrained in Brad's psyche or his belief that this may be what is needed to be done for him to punish himself for the earlier event that victimized him. And to some of these brothers, this frat life has become all they know, this is all they have, they think it's the center of the universe so if you go against it, then consequences ensue. It's very intriguing to see Brad and this brotherhood collide and the effect they have on each other.
GOAT is not a college comedy, it shows the darker, harsher side of what college life can offer. It's raw, unforgiving, and it punches you in the gut. You will feel uncomfortable watching GOAT and that is one of the film's main goals. I'd be very interested to see a featurette or behind-the-scenes videos showing how they shot some of the hazing scenes, just to see how the actors mentally prepped for them. I'd like to believe that GOAT doesn't necessarily intend on demonizing frat or Greek houses, I'm sure there are many brotherhoods out there that don't go over the line in their rituals but it does show that when we join a group, any group, it's best to analyze whether or not that group would be beneficial for our personal growth given our previous life experiences.
-- Rama's Screen --
Directed by Andrew Neel, in GOAT, Ben Schnetzer's character, Brad Land earlier on in the story goes through an initial violence so traumatizing that it pretty much sets up his motivation throughout the entirety of this film. He joins his brother Brett's (Nick Jonas) fraternity and as the pledging ritual moves into hell week, the stakes grow more violent, more humiliating, and more torturous, all in the name of brotherhood, or is Brad trying to prove something else? Based on Brad Land's memoir, co-written by Andrew Neel, David Gordon Green and Mike Roberts, the film deals with the questions of which rites of passage are worth taking and which ones are not and where do you draw the line. There are plenty of hazings in this film, you really don't know what to expect because each of them is shocking in its own way, it becomes ingrained in Brad's psyche or his belief that this may be what is needed to be done for him to punish himself for the earlier event that victimized him. And to some of these brothers, this frat life has become all they know, this is all they have, they think it's the center of the universe so if you go against it, then consequences ensue. It's very intriguing to see Brad and this brotherhood collide and the effect they have on each other.
GOAT is not a college comedy, it shows the darker, harsher side of what college life can offer. It's raw, unforgiving, and it punches you in the gut. You will feel uncomfortable watching GOAT and that is one of the film's main goals. I'd be very interested to see a featurette or behind-the-scenes videos showing how they shot some of the hazing scenes, just to see how the actors mentally prepped for them. I'd like to believe that GOAT doesn't necessarily intend on demonizing frat or Greek houses, I'm sure there are many brotherhoods out there that don't go over the line in their rituals but it does show that when we join a group, any group, it's best to analyze whether or not that group would be beneficial for our personal growth given our previous life experiences.
-- Rama's Screen --
Storyline
Did you know
- TriviaBased on the true story and memoir by Brad Land.
- SoundtracksJack Move
Performed by Craig Craig
Courtesy of Format
- How long is Goat?Powered by Alexa
Details
Box office
- Gross US & Canada
- $23,020
- Opening weekend US & Canada
- $23,020
- Sep 25, 2016
- Gross worldwide
- $23,020
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.85 : 1
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