5.9/10
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9 user 41 critic

Hannah (2017)

TV-MA | | Drama | 9 March 2018 (USA)
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Intimate portrait of a woman drifting between reality and denial when she is left alone to grapple with the consequences of her husband's imprisonment.

Director:

Andrea Pallaoro
3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Charlotte Rampling ... Hannah
André Wilms ... Hannah's Husband
Stéphanie Van Vyve Stéphanie Van Vyve ... Elaine
Simon Bisschop Simon Bisschop ... Nicholas, Hannah's Son
Jessica Fanhan Jessica Fanhan ... Subway Fighting Woman
Fatou Traoré Fatou Traoré ... Theater Teacher
Jean-Michel Balthazar Jean-Michel Balthazar ... Chris
Gaspard Savini Gaspard Savini ... Charlie
Julien Vargas Julien Vargas ... Michael
Luca Avallone ... Albert
Miriam Fauci Miriam Fauci ... Sophie
Ambra Mattioli Ambra Mattioli ... Singer
Mathilde Rault Mathilde Rault ... Receptionist
Thomas Demarez Thomas Demarez ... Classmate
Andrea Mirisola Andrea Mirisola ... Crossdressing Man
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Storyline

Intimate portrait of a woman drifting between reality and denial when she is left alone to grapple with the consequences of her husband's imprisonment.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

TV-MA | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France | Belgium

Language:

French | English

Release Date:

9 March 2018 (USA) See more »

Also Known As:

The Whale See more »

Filming Locations:

Roma, Lazio, Italy See more »

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Box Office

Opening Weekend USA:

$11,700, 11 March 2018, Limited Release

Gross USA:

$11,700, 11 March 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
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Did You Know?

Soundtracks

Modern Love
Written by David Bowie
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User Reviews

 
Tedious
9 July 2018 | by ferdinand1932See all my reviews

Despite an excellent central performance from Rampling this film is not easy and is not engaging. It is tedious.

The story and its telling recalls Antonioni, think of: Il Grido, il Deserto Rosso, L'Avventura and La Notte, with characters who barely intersect, let alone have any connection to each other, solitary, desperate, fearful, they stumble about the world, tiny and wretched. And that is exactly what 'Hannah' replicates.

Yet with Antonioni the films had a trajectory about a social and personal gulf which 'Hannah' doesn't', Hannah simply records the mundane as the mundane and even with a veteran in Rampling to give the merest levels of drama, it still falls short.

In a film the dramatic premise is necessary, such a narrative as 'Hannah' simulates are possible in prose, they work very well on the page, but in a film the internal represented as physical space is insufficient. It's only observation.

In some respects 'Hannah' is like a reality show, but whereas those shows tease the audience with sexual anticipation, Hannah ruthlessly records the anxiety of a lonely, miserable, woman.


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