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Marguerite (2015)

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Paris, 1920s. Marguerite Dumont is a wealthy woman, lover of the music and the opera. She loves to sing for her friends, although she's not a good singer. Both her friends and her husband ... See full summary »

Director:

Xavier Giannoli

Writers:

Xavier Giannoli, Marcia Romano (collaborating writer)
7 wins & 14 nominations. See more awards »

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The story of Danièle Delpeuch and how she was appointed as the private chef for François Mitterrand.

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Stars: Catherine Frot, Arthur Dupont, Jean d'Ormesson
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Cast

Cast overview, first billed only:
Catherine Frot ... Marguerite Dumont
André Marcon André Marcon ... Georges Dumont
Michel Fau ... Atos Pezzini
Christa Théret ... Hazel
Denis Mpunga Denis Mpunga ... Madelbos
Sylvain Dieuaide Sylvain Dieuaide ... Lucien Beaumont
Aubert Fenoy Aubert Fenoy ... Kyrill Von Priest
Sophia Leboutte Sophia Leboutte ... Félicité la barbue
Théo Cholbi ... Diego
Astrid Whettnall ... Françoise Bellaire
Vincent Schmitt Vincent Schmitt ... Le médecin
Christian Pereira Christian Pereira ... Militaire récital
Martine Pascal Martine Pascal ... La colonel
Grégoire Strecker Grégoire Strecker ... Michel Aurenbach
Jean-Yves Tual ... Monsieur Taupe
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Storyline

Paris, 1920s. Marguerite Dumont is a wealthy woman, lover of the music and the opera. She loves to sing for her friends, although she's not a good singer. Both her friends and her husband have kept her fantasy. The problem begins when she decides to perform in front of a real audience. Written by Andres Garza

Plot Summary | Plot Synopsis

Taglines:

Cover your ears and open your heart

Genres:

Comedy | Drama | Music

Motion Picture Rating (MPAA)

Rated R for brief graphic nudity and sexual content, and a scene of drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Language:

French | English | Italian

Release Date:

11 March 2016 (USA) See more »

Also Known As:

Madame Marguerite See more »

Filming Locations:

Czech Republic See more »

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Box Office

Opening Weekend USA:

$21,723, 13 March 2016, Limited Release

Gross USA:

$496,161, 22 May 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film had more than 1 million admissions in France. See more »

Goofs

Placed in Paris starting from September 1920, and with an almost faithful commitment to the period, except for the sequence when Marguerite, Baronne Dumont sings whilst motion picture images are first projected onto a white sheet and then onto her white clothing. Incorrectly there is the use of a 16mm silent movie film that appears to be projected from a 16mm film projector, however 16mm film was not invented by Eastman Kodak in the USA until 1923. In France in 1922 Pathé Frères invented their 9.5mm silent movie film as part of the Pathé Baby amateur film system, which would have been more likely to be in use in this era.

For the era the incorrect number countdown leader is projected, and any fully trained projectionist would notice the error, and in 1920 we see the 1965 "SMPTE Universal Leader" that was designed and used for television projection applications. Featuring a continuous countdown from eight to two (measured in seconds, rather than feet), with the numbers in the center of a target with two white circles and a rotating "clock arm" animation. "SMPTE Universal Leader" did not gain widespread acceptance theatrically which still used from 1930 "The Academy Leader", and from 1951 "The Society Leader" (both are 16 frames/foot in 35mm film), counting down from eleven to three, and a quick beep is heard at three, with all the numbers appearing upside down. The words 'SIX' and 'NINE' usually appear below their respective numbers.

The Academy leader is specified by SMPTE 301.[1]. The Universal Leader is specified by ANSI/SMPTE 55.

The Society [aka All-Purpose] Leader (1951) is quite complex in design, and is recognizable by its circles with slender arrows pointing to the sides, top, and bottom of each frame (akin to cross-hairs). The numbering is from 11 to 3, but oriented the correct way up, however the SIX and NINE appear as words only. The numbers are again spaced at one foot intervals, i.e. at every sixteenth frame, with 'echoes' of each number in the immediately adjacent frames (so each number actually appears thrice). The Universal [a.k.a. Television] Leader (1965) is the most widely recognized with the familiar 'clocksweep' animated graphic, and the numbering used is from 8 to 2 and with duration of precisely 8secs@24fps. All numbers are the correct way up, and are spaced at 24-frame (1 second) intervals. Since the number 9 has been eliminated, the 6 appears only as a numeral. See more »

Quotes

Marguerite Dumont: Perfection is not about doing great and beautiful deed; it's doing what one does with greatness and beauty.
See more »

Connections

Referenced in Marie Curie: The Courage of Knowledge (2016) See more »

Soundtracks

L'amour est un oiseau rebelle
Habañera from "Carmen"
Written by Georges Bizet
See more »

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User Reviews

 
Lavish and intelligent, with a captivating lead performance
14 August 2016 | by TheLittleSongbirdSee all my reviews

Biographical films can be really good and intriguing when done well, and there are a number of great ones out there as well as a few disappointing ones.

There are better biopics overall than 'Marguerite', and there is a preference for 2016's 'Florence Foster Jenkins', also about a notoriously bad singer and one of my personal favourites of 2016. However, it is very much a winner with many fantastic things.

'Marguerite' does fall too much in mawkish and slightly heavy-handed melodrama in the final act, and the aspiring young singer subplot doesn't slot into place as much as it should. Same with a few of the characters, some more interesting and serving more purpose to the story than others.

However, 'Marguerite's' pros far outweigh the cons, and when the film is at its best it's very good indeed and often even better than that. It's lovingly filmed and lavishly staged with gorgeous settings, scenery, colours and costumes that capture the era brilliantly and evocatively. The music is magnificent even when it's butchered.

Xavier Giannoli clearly put a lot of thought into the direction and handles the themes and any tone shifts and the numerous sub-plots often very well indeed, succeeding in keeping the story compelling and not feeling cluttered or too stretched. The script is intelligent with an ideal balance of humour and pathos, the humour very funny and the pathos heart-rending.

Like with 'Florence Foster Jenkins', it is easy making this sort of character interesting or easy to sympathise with and oddly wanting them to succeed. 'Marguerite' actually does a great job with that. This is also largely down to the lead performance of Catherine Frot, which is truly superb and captivates the viewer throughout the length. The rest of the performances are also very impressive, but it's Frot who lives in the memory the most.

On the whole, lavish, intelligent and absorbing, Frot and the production values particularly coming off well. With a stronger final act and more consistently with a couple of the sub-plots and the characters it could have been a wonderful film instead of an overall very good one. 8/10 Bethany Cox


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