Bound by an inescapable blood debt to the Italian crime lord, Santino D'Antonio, and with his precious 1969 Mustang still stolen, John Wick--the taciturn and pitiless assassin who thirsts for seclusion--is forced to visit Italy to honour his promise. But, soon, the Bogeyman will find himself dragged into an impossible task in the heart of Rome's secret criminal society, as every killer in the business dreams of cornering the legendary Wick who now has an enormous price on his head. Drenched in blood and mercilessly hunted down, John Wick can surely forget a peaceful retirement as no one can make it out in one piece.Written by
John Wick is intended to be a trilogy, but the chapter 4 has been announced for 2021. See more »
After the fight with Cassian in Rome, John's suit is relatively untouched when he's sitting at the bar, and in other scenes, the back is untouched too. He was shot multiple times whilst fleeing, and as the tailor explained and demonstrated, the body armor is inside the layers of the suit. When the tailor's assistant shoots at the dummies to demonstrate the armor, the cloth is ripped by each shot as the bullet tears the cloth and is stopped by the armor inside. John's suit should be thoroughly shredded by the time he gets back to the hotel. See more »
Written and Performed by Dylan Eiland
Courtesy of Always Never Records See more »
Love letter for action genre written by bold bloody hallmark, and a pencil.
If there's an equivalent of classical orchestra for untamed unapologetically brutal carnage, there's no doubt it'd be John Wick. Dancing through hail of bullets, horde of assassins straight from video game, oozing noir style from each drop of blood, John Wick: Chapter 2 is nothing short of an artistic spectacle.
John Wick (Keanu Reeves) returns to the killing business begrudgingly as one of his old acquaintances asks for a morbid favor. The cloak-and-dagger scheme soon flies into multiple directions, partially towards the back of few characters and the rest goes straight to the chest. There's an air of familiarity as the movie visits previous characters while introducing an array of new ludicrous ones.
It keeps the formula nearly identical, adding more to its melee and shootout fun. There's everything one loved from the first, now pouring abundantly. Combat is arguably the best action choreography one could possibly ask for. Punches, kicks, submission holds, and even dirty pokes are delivered with sheer primal vexation and the finesse of ballet performance.
Both the anti-hero and his rivals press forward in locomotive of mayhem, any fans of action movies and combat sports will be gleefully entertained. In fact, such simple concept of "one versus many" is ageless and universal, it worked since Bruce Lee's time and now told by razor-sharp spectacular visual, John Wick is the finest action of modern time.
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