Critic Reviews



Based on 6 critic reviews provided by
Though it takes a little while for the film to find its footing, this is an ambitious and, finally, also touching new work from Pinoy Sunday director Ho Wi Ding.
The film is at its most arresting in its slick neo noir middle section.
A surprisingly effective slice of dystopian noir.
Cities of Last Things has a puzzle-box structure that makes it seem complex and that tasks us with teasing out allusions and associations that a straighter telling would miss, but emotionally it is also simple: Nestled in the middle of this loop-the-loop enigma, skewering the slippery narrative to its timeline like a pin through the heart, it’s a love story.
In drawing on a melange of influences, Ho’s film succeeds in using fractured time as way of puzzling together the essential drives that move a city and its inhabitants.
As the full picture comes into focus, the narrative can tend toward the trite. The chief pleasure of the movie is the 35-millimeter cinematography of Jean Louis Vialard.

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