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El Club (2015)

A crisis counselor is sent by the Catholic Church to a small Chilean beach town where disgraced priests and nuns, suspected of crimes ranging from child abuse to baby-snatching from unwed mothers, live secluded, after an incident occurs.

Director:

Pablo Larraín

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Nominated for 1 Golden Globe. Another 17 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alfredo Castro ... Padre Vidal
Roberto Farías Roberto Farías ... Sandokan
Antonia Zegers ... Hermana Mónica
Marcelo Alonso ... Padre García
Jaime Vadell Jaime Vadell ... Padre Silva
Alejandro Goic ... Padre Ortega
Alejandro Sieveking ... Padre Ramírez
José Soza José Soza ... Padre Matías Lazcano
Francisco Reyes ... Padre Alfonso
Diego Muñoz Diego Muñoz ... Surfista
Gonzalo Valenzuela ... Surfista
Catalina Pulido Catalina Pulido ... Surfista
Paola Lattus Paola Lattus ... Mujer de Sandokan
Erto Pantoja Erto Pantoja ... Dueño de Perro
Felipe Ríos Felipe Ríos ... Dueño de Perro
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Storyline

Four catholic priests, now excommunicated, share a secluded house in a small coastal house of Chile where they are are supposed to atone for their sins. Their quiet routine, placed under the supervision of Mother Monica, is disturbed by the coming of a fifth man. The newcomer, a pedophile, appears as a most unwelcome reminder of their own tainted lives... Written by Guy Bellinger

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Genres:

Comedy | Drama | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Chile

Language:

Spanish

Release Date:

28 May 2015 (Chile) See more »

Also Known As:

El club See more »

Filming Locations:

La Boca, Navida, Chile

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Box Office

Opening Weekend USA:

$6,514, 7 February 2016, Limited Release

Gross USA:

$29,756, 21 February 2016
See more on IMDbPro »

Company Credits

Production Co:

Fabula See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

It was selected as the Chilean entry for the Best Foreign Language Film at the 88th Academy Awards (2016) but it was not nominated. See more »

Connections

Featured in The Club: Pablo Larraín Interview (2016) See more »

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User Reviews

 
The price is dear and the rewards are few for members of "The Club"
19 May 2016 | by jtncsmistadSee all my reviews

Four disgraced Catholic priests and a mysterious nun live together in a house situated in a remote seaside town. Each must atone for sins of the past. Collectively they comprise the "The Club".

And they don't take kindly to guests.

Chilean Director Pablo Larraín (who also shares writing and producing credit) does masterful work here creating an unremittingly dreary and dour atmosphere right from the opening frame. Even those scenes where the sun is shining feel decidedly dim in his film.

And the overarching tone befits the performances. This is fine ensemble work from the aforementioned five principle characters. The supporting cast is equally as impressive. Together these actors deliver a common thread of acute despondency and resignation to the dire circumstances which have come to consume and define their dismal lives.

It would be an exercise in easy to dismiss, or at the very least, minimize, "The Club" as a portrait of punishing depression and abject absolution. But I will submit that it is more than merely such uncomplicated characterization.

Larraín pulls nary a punch in his raw and unsettling condemnation of an omnipotent organization which has continued to figuratively turn it's head in the face of evil transgression rather than face the sordid depravity head on and work to root out and vanquish it.

The final moments of "The Club" brings the notion of "The New Church" and the suggestion that there is perhaps systemic change afoot in institutional Catholicism. These scenes also introduce a new boarder into the house in the person of a severely scarred victim of that which has been allowed to permeate in perpetuity and practically without punity.

But what we can not know, and what Larraín clearly leaves ambiguous by intent, is this: Will "The Club" welcome their new tenant in a spirit of repentance and forgiveness? Or will they treat this interloper as they have all other unwelcome invasions of their duplicitous commune? We can only hope for the former. Still, there is little expectation that our wish will be fulfilled. For by now we have come to learn in no uncertain terms that this is a congregation whose service is certainly not in the name of God. But rather in the shame of.

"The Club" is not at all pleasant to watch. It is alarmingly disturbing, spiritually jarring and leaves you adrift in a wake of lingering despair. This is not to say that it is a bad film. For it is not. It is to maintain, nonetheless, that it is a film about bad people violating all that is sacred about the human condition. Particularly by those who have vowed to operate in a manner mirroring that of divinity much more so than mortality.


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