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Cloudy with a Chance of Love (2015)

An academic in meteorology must decide between her new job as a popular weather girl and her pursuit of her PhD and fellowship. Is her handsome boss interested in her true self or just as a ticket to a network job in New York?


Bradford May


Dan Curry (story by), Margot Leitman (story by) | 1 more credit »


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Credited cast:
Katie Leclerc ... Deb
Michael Rady ... Quentin
Floriana Lima ... Fran
Meredith Giangrande ... Vera
Erica Gimpel ... Dr. Ruth
Rest of cast listed alphabetically:
Ben Begley ... Josh
Stacey Dash ... Kelly
Chris Dotson ... Marv
Brendan Ford Brendan Ford ... Bill
Kimi Harris ... Intern
Gregory Harrison ... Grant
Joe Holt ... Willy
Alex Hyde-White ... David Crenshaw
Michelle LaRue ... Beautiful Weather Woman
Juan Monsalvez ... Fletch


Serious academic in meteorology finishing her PhD dissertation and a fellowship is recruited to fill in as an on-air weather girl. While she is a big hit with the public she is risking her reputation with her colleagues. A glamorous make-over helps her come out of her shell but her new job also takes her away from her studies at a critical time. Deb must decide whether her career path lies with academia or sharing her passion for the weather with the public and a new romance with her attractive boss. Written by RRP

Plot Summary | Plot Synopsis


Comedy | Family | Romance


TV-G | See all certifications »






Release Date:

8 February 2015 (USA) See more »

Also Known As:

Ljubezen s spremenljivo oblacnostjo See more »


Box Office


$1,700,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:




Aspect Ratio:

16:9 HD
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Did You Know?


This is Katie Leclerc's second Hallmark Channel TV movie after The Confession (2013), which follows The Shunning (2011). See more »


The moon stays in the same phase day after day after day. See more »

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User Reviews

slightly outside the Hallmark envelope... Rady and Leclerc add their own stamp
24 February 2015 | by laurelmcfSee all my reviews

I love Hallmark films for their predictable formula: single woman-focused screenplay in which too-successful, insufficiently caring "perfect" but workaholic guy must be shed for an authentic man of feeling.

What I especially love are the Hallmark tropes: new guy must be thrown into an early, intense encounter with single girl's parent/s; numerous late model cars must be driven pointlessly around town with elaborate driveway exit scenes; characters' occupations are bipolar business/law vs wedding planning, writing, art. As predictable as this makes a Hallmark, variations on this theme become deeply satisfying, as we watch these elemental themes -- the search for the authentic life, the rejection of empty success, the social pressure for the conventional path, play out again and again. And thus each Hallmark character takes on allegorical significance in this larger search for authenticity.

Hallmark movies remind me of a comment Sana Haque made about the great French writer Roland Barthes' Mythologies: "Barthes deciphers how wrestlers take on tragic or comic "stock" personas for the benefit of their fans and how their exaggerated gestures, drama, and Good vs. Evil conflicts perform a cathartic function for the audience, a venue through which frustrated emotion can find a release and the complexity of modern existence revert to black and white simplicity."

So, in this allegorical frame, Cloudy with a Chance of Love shakes it up a (very) little bit. Here on the road to the authentic life, the sub-theme is change. Katie Leclerc's character, a PhD meteorology student at a mythical San Diego university has spent her life happily in one place, focused on one consuming interest (the heavens). On her heretofore uneventful road to a fellowship and professorship, she now encounters a TV news director, played by Michael Rady, who pulls her toward a huge change when he convinces her to sub as a meteorologist at his station. He even tries eventually to get her to leave San Diego in a two-fer deal to try network news in New York.

Michael Rady has matured from his days of Sisterhood of the Traveling Pants. In this movie he channels Ken Olin from his Thirtysomething days-- the sensitive and empathetic listener to a well-educated woman's earnestly related hopes and dreams and self-doubts. There's a soulfulness here to Rady's acting that was unexpected and welcome in a Hallmark.While his ambition to go back to network news in New York nearly sinks a budding romance with adorable Leclerc, he manages an unusual Hallmark workaholic accomplishment. He gets the girl despite all that, once he finds his own "authentic" path back to San Diego, and "saves" her by firing her and reconnecting her with her academic destiny.

John Bunyan's Pilgrim's Progress, and other towering works of allegory have tread these familiar paths many times before Hallmark screenplays, but how nice it is to turn on the Hallmark channel and watch these characters play out our hopes and fears. When the actors are as sympathetic, and winsome as Rady and Leclerc, and the chemistry believable, it is an evening well spent. It would be great to see both Leclerc and Rady enter the pantheon of Hallmark repeaters-- those actors we love to see in other Hallmark themes and variations.

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