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Ouija: Origin of Evil (2016)

PG-13 | | Drama, Horror, Mystery | 21 October 2016 (USA)
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2:36 | Trailer
In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business by inviting an evil presence into their home, not realizing how dangerous it is.

Director:

Mike Flanagan
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4,847 ( 46)
2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Annalise Basso ... Lina Zander
Elizabeth Reaser ... Alice Zander
Lulu Wilson ... Doris Zander
Henry Thomas ... Father Tom
Parker Mack ... Mikey
Halle Charlton ... Ellie
Alexis G. Zall ... Betty
Doug Jones ... Ghoul Marcus
Kate Siegel ... Jenny Browning
Sam Anderson ... Mr. Browning
Chelsea Gonzalez ... Gloria
Lincoln Melcher ... Jack
Nicholas Keenan ... Walter
Michael Weaver ... Roger Zander
Ele Keats ... Ellie's Mom
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Storyline

In 1967 Los Angeles, a young widow named Alice Zander works out of her suburban home as a spiritual medium, accompanied by her daughters, 15-year-old Paulina "Lina" and 9-year old Doris. The family is still reeling over the recent death of Roger, Alice's husband and the kids' father. At Lina's suggestion, Alice incorporates a Ouija board into her readings. While trying out the board, she unknowingly contacts a spirit named Marcus that begins to possess Doris. Alice receives a notice that the bank intends to foreclose on their home. Doris contacts the board for help, believing she is communicating with her dead father. The spirit leads her to a secret compartment behind the basement wall containing a pouch of cash. When she gives the money to her mother, the family has an Ouija session, believing they can contact Roger. When the board answers a question only Roger would know the answer to, a thrilled Alice begins believing that they are in contact with her dead husband..

Plot Summary | Plot Synopsis

Taglines:

No telling what you'll see. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for disturbing images, terror and thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Ukrainian

Release Date:

21 October 2016 (USA) See more »

Also Known As:

Ouija: Origin of Evil See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$14,065,500, 23 October 2016

Gross USA:

$35,144,505

Cumulative Worldwide Gross:

$81,705,746
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The second film in 2016 where Elizabeth Reaser's character is affiliated with another character named Doris, the first being Hello, My Name Is Doris (2015). See more »

Goofs

In order to make the film appear more authentic for the time in which it is set (1967), cue marks, or "reel change" marks, are inserted at approximately every 20 minutes. However, the marks are oval when they should actually be circular, since this is a film presented in a 1.85:1 aspect ratio and not in a 2.39:1 aspect ratio. The only time the marks should be oval is if a film is projected with an anamorphic lens. On an anamorphic film print, the cue marks are circular, but the anamorphic lens makes the circle look like an oval when projected on a screen. See more »

Quotes

Alice Zander: Let her go. Speak to me. I'm a vessel - I can help you.
Possessed Doris: She's a better vessel.
Alice Zander: What do you want from her?
Possessed Doris: Voice.
Alice Zander: Take mine. You can cut it out for all I care, but you leave my girls alone. Let them go! Take me!
Possessed Doris: We'll take all of you.
See more »

Crazy Credits

The 60's Universal logo appears at the beginning of the film but with "A Comcast Company" at the bottom. See more »

Connections

Featured in WatchMojo: Top 10 Horror Movie Prequels (2018) See more »

Soundtracks

You Gotta Move Me
Written by Dennis Michael Lacey
Performed by Mike Lacey
Courtesy of Crucial Music Corporation
See more »

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User Reviews

 
This prequel has no business being as good as it is.
3 January 2017 | by Matt_LaydenSee all my reviews

This prequel has no business being as good as it is. The first Ouija film came out in 2014 and quickly faded away into obscurity. So imagine my surprise when they decide to make a 'prequel' of all things. I hunch is that The Conjuring films have been pretty successful and they are set in the 70's, when things were a little creepier, no cell phones and genuine scary aesthetic. Imagine my surprise again when up and coming horror filmmakers Mike Flanagan was the man behind the camera. The underrated mirror horror flick Oculus and deaf home invasion flick Hush were two of his recent outings. Things were looking not too bad for this flick and to top it off, it received some pretty decent reviews.

Alice and her two daughters run a scam business in which they "speak to the dead". The mother justifies this business by telling her youngest daughter, Doris, that it helps people move on and get closure. When her eldest, Lina, plays the new Ouija boardgames at a friends house, she tells her mother to incorporate it into her act. She does and things take a sinister turn when they scam becomes reality.

It's hard to make a game board scary. The first film tried, failed and this one tries and succeeds for the most part. Any non-horror fan might balk at the idea that this film is good, but I consider this movie to be one of the most underrated flicks of the year. Flanagan knows how to build solid tension and he doesn't rely on cheap scares or an obscene amount of gore. This film has none of that. Careful framework and lighting is all he needs to create an unsettling atmosphere. Whenever someone decides to look through the ouija glass piece, you feel yourself tense up expecting something to happen.

Kids in horror films are the go to for anything scary. Most movies tend to cast children horribly and they end of ruining the film. Doris, played by Lulu Wilson delivers an innocent and somewhat chilling performance as the youngest daughter. Her goodbye message to a young boy about what it feels like to be strangled to death is an excellent scene to send chills down your spine. No scary images, sounds or blood needed. Just a child delivering one monologue about suffocating you.

Obviously the film is far from perfect, but it doesn't cater to the happy ending crowd either. It takes some chances and for the most part, lands them. I was surprised by how much I liked this film, which may be why the rating is higher than what others would tend to give a film like this. Had the first film never existed, this would be a bigger hit.


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