In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business, inviting an evil presence into their home.
Rebecca must unlock the terror behind her little brother's experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother.
Director:
David F. Sandberg
Stars:
Teresa Palmer,
Gabriel Bateman,
Maria Bello
12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
Washed-up true-crime writer Ellison Oswalt finds a box of super 8 home movies that suggest the murder he is currently researching is the work of a serial killer whose work dates back to the 1960s.
An American nanny is shocked that her new English family's boy is actually a life-sized doll. After she violates a list of strict rules, disturbing events make her believe that the doll is really alive.
In 1967 Los Angeles, a widowed mother and her daughters add a new stunt to bolster their seance scam business, inviting an evil presence into their home.
With the release of this film, it marks the first Hasbro film, as well as the first Platinum Dunes film, to be well received by critics and get a certified fresh rating on Rotten Tomatoes. All the previously released films such as the Transformers films, G.I. Joe films, Battleship (2012), Ouija (2014), and Jem and the Holograms (2015) received a rotten rating. See more »
Goofs
In the first movie, to which this is a prequel, this film's events are stated to have occurred in the late 1940s or early 1950s - an onscreen newspaper article dates them to 1952. This movie is explicitly set in 1967. See more »
Quotes
Doris Zander:
[At 40:00 Doris comes downstairs from bed to Ouija Board on table]
As friends who have gathered... blah... blah... blah. What happened to my neck?
See more »
Crazy Credits
There is a post-credits scene with Lin Shaye. See more »
When I first heard about this sequel/prequel my initial thoughts were: "Who the hell asked for this?" The first Ouija was cookie cutter horror film. It use the device of a ouija board (and the mystique and eeriness of it) as a crutch for the thin, awfully written that followed. It was a completely forgettable experience, so one would wonder why the film series was brought up again. Its a good thing that first impressions are just what they are because this prequel is not bad at all.
The film was in better hands when it was announced that Mike Flanagan would be directing but I was still mixed. Oculus was actually pretty great. A creative idea that was actually pretty emotional and investing. Flanagan's followup was the Netflix film Hush. I know a lot of people loved Hush but maybe these people don't watch movies often or are lenient to what they see on Netflix. Hush was terrible. I don't want to go into it here but maybe some other time I can explain how improbably dumb it really is. Anyways, this film is a prequel of sorts to the first and is based on a family who help people move on from their passed loved ones by staging seances. A ouija board causes dark spirits in the house to possess a young girl leading to trouble and at times, some wicked fun.
The film is set in the 60s and you can immediately tell by the film style. The style is of a film you'd see from that era; they even used the old Universal Pictures logo at the start of the film. Its not just the post production editing of the film but the costume, music, and just all around aura is done very well. No one knows her well yet but Lulu Wilson made this film. She does a great job and there are a few moments (where the script was fantastic) and she was able to come off as unsettling, just from saying her lines. She is without a doubt the strongest point of the film.
The film isn't without flaws. The third act isn't exactly fantastic as some questionable things happen and you scratch your head wondering if there could have been a better resolution. There definitely could have been. Also, the CG does look ropy at times but I think that can be forgettable as the film offers decent entertainment value. Here's a film that sacrifices scares for build up, good performances, and focus on the story of why spirits have possessed Doris and the circumstances surrounding whats going on. I can respect that.
I'm usually extremely critical of horror films because these days so many films go for jump scares and have no substance. There are exceptions that are becoming smart, nostalgic, or reinventing the horror genre. I don't think there is anything innovative about Ouija: Origin of Evil but its a massive improvement over its predecessor and is a film has a good amount going for it to make for a good time.
7/10
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When I first heard about this sequel/prequel my initial thoughts were: "Who the hell asked for this?" The first Ouija was cookie cutter horror film. It use the device of a ouija board (and the mystique and eeriness of it) as a crutch for the thin, awfully written that followed. It was a completely forgettable experience, so one would wonder why the film series was brought up again. Its a good thing that first impressions are just what they are because this prequel is not bad at all.
The film was in better hands when it was announced that Mike Flanagan would be directing but I was still mixed. Oculus was actually pretty great. A creative idea that was actually pretty emotional and investing. Flanagan's followup was the Netflix film Hush. I know a lot of people loved Hush but maybe these people don't watch movies often or are lenient to what they see on Netflix. Hush was terrible. I don't want to go into it here but maybe some other time I can explain how improbably dumb it really is. Anyways, this film is a prequel of sorts to the first and is based on a family who help people move on from their passed loved ones by staging seances. A ouija board causes dark spirits in the house to possess a young girl leading to trouble and at times, some wicked fun.
The film is set in the 60s and you can immediately tell by the film style. The style is of a film you'd see from that era; they even used the old Universal Pictures logo at the start of the film. Its not just the post production editing of the film but the costume, music, and just all around aura is done very well. No one knows her well yet but Lulu Wilson made this film. She does a great job and there are a few moments (where the script was fantastic) and she was able to come off as unsettling, just from saying her lines. She is without a doubt the strongest point of the film.
The film isn't without flaws. The third act isn't exactly fantastic as some questionable things happen and you scratch your head wondering if there could have been a better resolution. There definitely could have been. Also, the CG does look ropy at times but I think that can be forgettable as the film offers decent entertainment value. Here's a film that sacrifices scares for build up, good performances, and focus on the story of why spirits have possessed Doris and the circumstances surrounding whats going on. I can respect that.
I'm usually extremely critical of horror films because these days so many films go for jump scares and have no substance. There are exceptions that are becoming smart, nostalgic, or reinventing the horror genre. I don't think there is anything innovative about Ouija: Origin of Evil but its a massive improvement over its predecessor and is a film has a good amount going for it to make for a good time.
7/10