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Taxi Tehran (2015)

Taxi (original title)
Not Rated | | Comedy, Drama | 15 April 2015 (France)
Trailer
1:55 | Trailer
Jafar Panahi is banned from making movies by the Iranian government, he poses as a taxi driver and makes a movie about social challenges in Iran.

Director:

Jafar Panahi

Writer:

Jafar Panahi

Star:

Jafar Panahi
7 wins & 7 nominations. See more awards »

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Cast

Uncredited cast:
Jafar Panahi ... Himself (uncredited)
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Storyline

When you are a filmmaker and you are not allowed to direct movies any more, you have to retrain. So why not become a taxi driver? Or better, why not pretend you are a taxi driver and make a film despite everything? This is what Jafar Panahi has done. Now he invites you to get into his cab for the price of a cinema ticket, to ride through the streets of Tehran and discover its people in the persons of his various passengers. Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Site | Official Site | See more »

Country:

Iran

Language:

Persian

Release Date:

15 April 2015 (France) See more »

Also Known As:

Jafar Panahi's Taxi See more »

Filming Locations:

Tehran, Iran

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Box Office

Opening Weekend USA:

$22,531, 4 October 2015

Gross USA:

$321,642

Cumulative Worldwide Gross:

$3,906,227
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The passengers are played by non-professional actors, whose identities remain anonymous. See more »

Quotes

Nasrin Sotoudeh: They work in a way that let us to know they are watching us.Their tactics are obvious.First, they write you up a police record. Suddenly, you are accused of being an agent for Mossad, The CIA, or MI6. Then they tack on something about your morals, your lifestyle. They make your life into a prison.Although you are released from prison, but the outside world is only a bigger prison.They make your nearest friends into your worst enemies.After that you think all you can do is either leave the ...
See more »

Connections

References Crimson Gold (2003) See more »

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User Reviews

 
A daring tribute to film-making in difficult times/places
16 July 2015 | by rweiler-1See all my reviews

The genre of films made in or about taxis has already produced some masterpieces: „Taxi Lisboa" (1970) and „Night on Earth" (1991). Now Jafar Panahi, living in Tehran, has made a very important film that gives us Westerners a glimpse of what it is like to live in the Iranian capital nowadays. This is already his third movie that he made unlicensed and undercover. In 2010 he was imposed a 20 years' ban on producing films, is not allowed to leave the country and was put into prison. Iranian film-making is of two kinds, Panahi mused: local films for the public in Iran, heavily censored and films produced with the idea in mind to participate in international film festivals. He was awarded the Berlin Golden Bear this year. Viewing this film one feels really disconcerted by the director's taxi driving- and-filming stunt, his composed feature and the chaotic lives that passengers bring with them into the cab. Tehran has 12-15m inhabitants, with urban transport being chronically difficult. There are buses and taxis, but an underground system is still under construction. Taxis then are an obvious choice for the setting of an „under- ground" movie that discusses Iranian lives and hopes for a better future. The main theme of the film is how one can live in a society where strict laws are enforced about many things that seem to us unimportant or even trivial: A woman going to a basket ball game may be harassed and even arrested. It is the women characters then who make some very strong statements in the film. There is a lawyer and human rights activist, a friend of Panahi's, who was herself punished with a prison sentence, but pursues in her activities. Then the heroine of the film: supposedly Panahi's niece, a very bright school-girl who films street scenes and the director/taxi- driver/uncle with her i-Phone, is learning about film-making „that can be shown" in Iran, i.e. that would pass censorship. Life in a society that is strictly controlled by guards and police, laws that seem hard or impossible to be observed finds loopholes and the open question is how much Iran's government really is in control. But then of course the enforcement of laws may be random or imposed rather on the poorer levels of society.


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