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Taxi (2015)

Not Rated | | Comedy, Drama | 15 April 2015 (France)
Trailer
1:55 | Trailer
Jafar Panahi is banned from making movies by the Iranian government, he poses as a taxi driver and makes a movie about social challenges in Iran.

Director:

Jafar Panahi

Writer:

Jafar Panahi

Star:

Jafar Panahi
7 wins & 7 nominations. See more awards »

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Cast

Uncredited cast:
Jafar Panahi ... Himself (uncredited)
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Storyline

When you are a filmmaker and you are not allowed to direct movies any more, you have to retrain. So why not become a taxi driver? Or better, why not pretend you are a taxi driver and make a film despite everything? This is what Jafar Panahi has done. Now he invites you to get into his cab for the price of a cinema ticket, to ride through the streets of Tehran and discover its people in the persons of his various passengers. Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Site | Official Site | See more »

Country:

Iran

Language:

Persian

Release Date:

15 April 2015 (France) See more »

Also Known As:

Jafar Panahi's Taxi See more »

Filming Locations:

Tehran, Iran See more »

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Box Office

Opening Weekend USA:

$166, 5 February 2016, Limited Release

Gross USA:

$321,642, 24 April 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The passengers are played by non-professional actors, whose identities remain anonymous. See more »

Quotes

Nasrin Sotoudeh: They work in a way that let us to know they are watching us.Their tactics are obvious.First, they write you up a police record. Suddenly, you are accused of being an agent for Mossad, The CIA, or MI6. Then they tack on something about your morals, your lifestyle. They make your life into a prison.Although you are released from prison, but the outside world is only a bigger prison.They make your nearest friends into your worst enemies.After that you think all you can do is either leave the ...
See more »

Connections

References Ayneh (1997) See more »

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User Reviews

 
Interesting and yet intriguing cinema
11 June 2016 | by JuguAbrahamSee all my reviews

Very interesting and intriguing. Let me explain why so.

The difficult Kafkaesque conditions in Iran are very real. I have visited Iran and therefore I have seen it all firsthand. Everything in the movie is real. My heart goes out to the people of Iran where the best works of Iranian cinema are banned. My favourite Iranian film "Bitter Dreams," a debut film by Mohsen Amiryoussefi, was banned within months of it being shown in the Cannes film festival and most cineastes are not even aware of its existence.

Panahi is different. He makes good films. He claims he is hounded by the authorities but yet makes films, one after the other, openly in the streets of Teheran. It cannot be that he has done it without people noticing his filming.

Now "Taxi" is a laudable work--including the discussion of males wearing ties in public (I have not spotted a single Iranian male wearing a necktie in Teheran, but two people in "Taxi' wear ties, Panahi's friend and the bridegroom), a top human rights lawyer Nasrin Satoudeh (the flower woman) talking of prisons as "Paradise" after she herself endured time in the notorious Evin prison, mention of public hangings for petty offences by financially stressed folks, pirated film CDs sold in the streets, mention of Panahi being interrogated in prison blindfolded and his search for that man by trying to identify him by his voice--all laudable, realistic cinema.

Or is it? Panahi is afraid two women with a fishbowl will wet his backseat. When the fishbowl breaks, he is not concerned about the water or the broken glass. The camera angles of the sequence with him helping the ladies save the fish could not have been taken from the dashboard camera. Evidently there were more cameras used than we are expected to believe.

I have actually shook hands with the director in my city when he was chairing a film jury. He appeared sullen and unfriendly. In the movie "Taxi" you see a charming, smiling and friendly Panahi. Which is the real Panahi? In my view, the film deserved the Best Actor award at Berlin rather than Best Film.

As in Panahi's "The circle", the subject of his cinema is totally laudable in "Taxi." Is there an implicit collusion between Panahi and the Iranian authorities? How much of "Taxi" is spontaneous? Probably very little.


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