In the ghettos of the greatest metropolis in Brazil, a midst flying bullets, love and any number of hurdles, young people's stories mingle and collide in the search for dreams and choices. ... See full summary »
Fernando Grostein Andrade,
Jean Luis Amorim,
Zef's dear wife dies in an accident just as Roni, his wealthy brother, marries his daughter. When the widower arrives with the coffin containing his wife's body right in the middle of the ... See full summary »
Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks him dead for over twenty years.
Professional pickpocket Franck Spadone and his co-horts rob a beautiful stripper (played by Monica Bellucci). But Spadone becomes infatuated with his victim, and soon finds himself in the ... See full summary »
Francesca, an incredibly beautiful woman, lost her husband. Only after his death she discovers his unfaithfulness and overall the huge amount of debts he left. Cesare is Francesca's best ... See full summary »
The movie starts with a slap in the face, it grabs you and never lets you go until the very end. It's an ensemble film portrayed as a wonderful puzzle whose pieces all fall perfectly in place one into another.
My first fear before seeing it was that Monica Bellucci would steal the show and make for an unequal movie, where too much focus would be on one character. In truth, she does stand out a bit, but the reason is simple : she's an outsider, a foreign actress who comes to Montreal to shoot a movie, whereas most of the other characters are Montrealers having more "mainstream" jobs : a student, a paramedic and a nurse. These 4 characters all end up in Ville-Marie hospital, for different reasons, hence the title of the movie.
I was really impressed to see how the cast felt so natural, as if the actors were born to play these roles. I'm impressed how the scenarist and the director managed to give so much depth to these characters, which is always a concern in ensemble films, because each have much less screen time to build their personality.
I'm trying, but I really can't find much negative about this movie. Maybe some scenes about Aliocha Schneider's character, Thomas, are a bit long... But they do serve a purpose: to build his personality.
Watch this movie out in the film festival circuit, I predict a bright future for it.
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