When Mae is hired to work for the world's largest and most powerful tech and social media company, she sees it as an opportunity of a lifetime. As she rises through the ranks, she is encouraged by the company's founder, Eamon Bailey, to engage in a groundbreaking experiment that pushes the boundaries of privacy, ethics and ultimately her personal freedom. Her participation in the experiment, and every decision she makes, begin to affect the lives and future of her friends, family and that of humanity.
Emma Watson's "American" accent fluctuates into her native British a lot, especially tonally. See more »
I should, um, get going, actually - for dinner. But, um, we should make a plan. I'll send you a text.
Or we could do that now since we're both here.
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A dedication to Bill Paxton at the closing credits which reads: "For Bill". See more »
Written by Michael Cameron Perry & Austin Henry Keultjes
Performed by Supreme Cuts
Courtesy of Supreme Cuts See more »
A fairly acted but lazy dystopian piece of work that has its moments but tells hardly nothing new.
The vote is a mere average between Watson and Hank's solid, terrific acting (vote: 8), an acceptable but overall trite, tedious screenplay (vote: 5) and some involuntarily laughable dystopian concepts mixed with some muddy social satire (vote: 3). It all seems a huge déjà vu: the promising and smart girl from a humble setting, a bigger-than-anyone company, a dark side (roughly shown by an under-exploited Boyega), the struggle with all of this. Being The Circle marketed as a thriller, audience is meant to be thrilled, at some point; this hardly ever happens; being marketed as a dystopian picture, The Circle certainly has some suggestive elements but fails to mix them smoothly. Its lazy effort is to take problems we are already struggling with -such as loss of privacy, invasive social media and their influence on politics, appalling need for control- and push them a little further in a not-so-far future without making a good or even consistent plot out of it, not to mention a solid message. It's fairly normal to walk out the theater a bit disappointed by seeing a movie with such great talent wasted in a muddy, eyebrow-raising subject that is just as inane as its tagline: 'Knowing is good, but knowing everything is better.'
31 of 57 people found this review helpful.
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