Embrace of the Serpent

Another Ciro Guerra's masterpiece. Fascinating movie. After "The wind Journeys" Guerra shows again his talent with an incredible history about the Amazonas jungle back in the early 1900s. The beauty and uniqueness of the scenes is mind blowing. The sound takes you deep inside the jungle. The story is a thriller that makes you live the most strange adventures that you could ever imagine in the jungle. It is based on two diaries written by a German and American travelers. All actors have an incredible command of the indigenous dialect. Additionally, the native indigenous actors seem to be truly professionals. Enjoyed every single minute. A must see.

Interesting look at the lifestyle of the Amazon people in the vanishing jungle where a shaman deals with two diverse characters , being first Colombian film nominated for an Academy Award for Best Foreign Film . The amazing story of the relationship between Karamakate (Nilbio Torres -Young Karamakate-, Antonio Bolívar -Old Karamakate- and all the natives of the film are natural actors) and two scientists who seek a magic plant , Theo (Jan Bijvoet) and Evan (Brionne Davis) . As decades apart , an Amazonian shaman and last survivor of his people , and two scientists who work together over the course of 40 years to search the Amazon for a sacred healing flower . It's based on two true stories, linked together by one remarkable man and , perhaps, the most famous, celebrated river in the world, the Amazon . And the man is Karamakate, the last shaman of his jungle tribe . We first meet him in 1940 , deep into his sixties as played by Antonio Bolivar, when he encounters a man foreign to his home, an American scientist Richard Evans Schultes (Brionne Davis) . The rain forest of the Amazon are disappearing at the rate of 5000 acres day . Four million Indians once lives there , nowadays 120.000 remain .

Embrace Of The Serpent is one such cinematic experience which brought a deserved Academy Award Nomination . Ecological thriller that has in highlighting the destruction of the South American rain woods by the rubbers ; being based upon a real story , on diaries by scientists Theodor Koch-Grunberg and Richard Evan Schultes , both of whom delve into the Amazonian rainforest in search of a rare plant with medicinal and hallucinatory qualities, with the assistance of a local shaman on opposite ends of his own life journey . An ecological adventure with mystical touches that was ahead of its time in denounce about forest destruction , including some disconcerting scenes , as the frames where a man is praised to be the Messiah is based on an actual event . Embrace of the Serpent attempts to frame the destruction of the rain forest's ecology and peoples as a slow-motion tragedy on scales both personal and cultural , but it is more intriguing in its ambitions, which frustrate it, than in it successes, which are limited . This exciting film contains thrills , emotion , adventure and marvelous scenes from deep rainy forest that generate a lot of surprises and illusion . This film has got some images "stuck in their head" including several sequences can stay in your brain for a long, long while .

Glamorous and lush cinematography by David Gallego who photographs wonderfully the Amazon jungle , obviously filmed under difficult conditions on location . Shot in black-and-white, which is at once visually distinctive but also rather flattening . Evocative musical score by Nascuy Linares and the music Evan plays on the gramophone is Haydn's "The Creation". This engrossing and enjoyable film with interesting screenplay by Ciro Guerra and Jacques Toulemonde Vidal was well directed by Ciro Guerra . He's a good professional filmmaking giving various Colombian successes such as Los Viajes Del Viento (2009) and La Sombra Del Caminante (2004) . Rating "Embrace of the Serpent" : Better than average . Wholesome watching .

For the things we don't see, or weren't around to see, 'Embrace of the Serpent' attempts to re-image a dark past in our history.

Karmakate is the last survivor of his tribe, living in the heart of the Colombian Amazon. At two separate points in time, he is asked by foreign scientists' Theodor Koch-Grunberg and Richard Evan Schultes -- both with different purposes -- on how to find a scared healing plant. The film borrows a lot of its content from their diaries from when they had commissioned Karmakate to help them in 1909 and 1940, respectively. He is conflicted as he has no ambition to help "the White man" because his tribe was wiped from the Earth by them, and he lives his days by himself.

The film doesn't beat around the bush. As it progresses, it becomes evident that the story is about the devastation of colonialism and what it had done to the land & its people. Everything from spreading Catholicism to Rubber Farming, more and more they see the land changing for the worse.

It was impressive to not only hear these actors speaking Spanish, but also being able to converse in the native tongue of the locals, including the several other languages that were used through out the film. Couple that with the beautiful cinematography, and you have yourself quite the masterpiece.

Fans of Miguel Gomes' 'Tabu' would likely enjoy this. Shot in black and white. Beautiful transitions and landscape shots. Winner of the Art Cinema Award at Cannes. Expect this film to go for Best Foreign Film at the Oscars.

In early 20th century, Theodor von Martius is a German ethnographer from University of Tübingen cataloging the tribes of the Amazon. He gets sick and is brought to shaman Karamakate by his native guide Manduca. Karamakate distrusts the white men who cruelly run their rubber plantations or missionaries wiping out the native culture. He believes that he's the last of his tribe until Theo tells him about an isolated group of survivors. He guides them back to his former home to find a yakruna plant. About thirty years later, Evan arrives looking for Karamakate. He tells him that Theo died later and Manduca brought his diaries back to Germany to be published. Karamakate claims to be suffering from memory loss and only a hollowed shell copy called chullachaqui.

The river journey is something like the Heart of Darkness. It portrays a harrowing vision of the struggles of the native community. It is enthralling. It is poetic. The characters are compelling. The only minor drawback is the ending which gets overextended. There is probably a quicker and more compelling way to wrap up the movie after what happened in the village. I like the surrealism in the end but it's just a little long.

Honestly, how this didn't get one iota of the hype that Son of Saul got is beyond me. As far as I'm concerned, the real winner of that Oscar for foreign-language film. It's so incredibly fixating and transportive in the world it creates. The cinematography is exquisite, the sound design impressive, and the directorial achievement here is just incredible. I never entirely understood everything that was going on, but it didn't stop the film from fully capturing me. The acting is also uniformly strong, and the film could have been even more confusing had it not been to the spectacular editing, which did a great job going from one storyline to the next, and one timeline to the other. I just think this is a really magical, really special film. It deserves to be seen by many more people than it has.