While training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.
Exposing her role behind the camera, Kirsten Johnson reaches into the vast trove of footage she has shot over decades around the world. What emerges is a visually bold memoir and a revelatory interrogation of the power of the camera.
Following a banal incident in her local village, 8-year old girl Shula is accused of witchcraft. After a short trial she is found guilty, taken into state custody and exiled to a witch camp... See full summary »
Henry B.J. Phiri,
Thirteen year-old Marta has recently moved back to southern Italy with her mother and older sister and struggles to find her place, restlessly testing the boundaries of an unfamiliar city and the catechism of the Catholic church.
Shot over a three-year period with unparalleled intimacy and access, ALL THIS PANIC is a feature length documentary that takes an intimate look at the interior lives of a group of teenage ... See full summary »
In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Souleiman, the lover of Ada, promised to another.
The Fits is a psychological portrait of 11-year-old Toni-a tomboy assimilating to a tight-knit dance team in Cincinnati's West End. Enamored by the power and confidence of this strong community of girls, Toni eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. When a mysterious outbreak of fainting spells plagues the team, Toni's desire for acceptance is twisted.Written by
Each of the "fits" were choreographed separately, and performed in front of the cast for the first time on the day of shooting. See more »
Can't "fit" this film into a box
Independent Director Anna Rose Holmer (Producer of Jody Lee Lipes' "Ballet 422"), along with writer Saela Davis, present a female coming of age project filled with few words, yet provocative in meaning and intention. The cast is filled with real life youth Cincinnati drill team members, featuring strong raw performances by Toni (Royalty Hightower), her cool brother Donte (Antonio A.B. Grant Jr.), and the lovable Breezy (Alexis Noblest), all who are trying to find their way in a society that has forgotten about them. Because dialogue is at a minimum here, with individual performances driving the film and dialogue delivery at times amateur, the viewing audience must make what they will out of the vague storyline presented. Unfortunately, this lazy-faire direction by Holmer leaves the film with spurts of boredom. However, when the viewing experience is over, one can't help but want to speak to someone about what was just presented. Is "The Fits" about the desire to fit in, the epidemic currently playing out in Flint Michigan, about bonding at all costs, or something completely else? While the film may be garnering a lot of attention, I heard more "C" ratings than "A" ratings at the screening I attended (including mine), and many film attendees (again including myself) were left with more questions than the film answered.
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