Check out our gallery of the 2021 Golden Globe nominees in the leading and supporting acting categories, as the characters they so brilliantly played and in real life
Two fellow Louisvillians and colleagues of director Patrick Coleman Duncan provided music for "Jes and Lora." Will Oldham a.k.a. Bonnie 'Prince' Billy wrote and performed "Three Questions" and "The Way" for the Film Festival Version and the opening and closing song for U.K. Theatrical Distribution Version, "I'm So Glad" was written and performed by Erin HillSee more »
Quotes
Lora:
After people die they just come back and pick up where they left off. And they stay together with the same people lifetime after lifetime. Like me and Mama and Daddy. And you and your friend Frank, you'll always be together.
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Soundtracks
I'm So Glad
Written by Erin Hill
Performed by Erin Hill
Opening and Closing Song For U.K. Version
Published by Real Toad Music
Courtesy of Gridley Records See more »
It is refreshing to see a film where the director and the actors allow for a natural, human pace. Blake Brocksmith has written a deceptively simple story about two people meeting unexpectedly. Patrick Coleman Duncan, who wrote the screenplay and directs, is not afraid to let things develop between Terry J. Freedman and Brendan Weinhold and the actors don't let him or us down; they bring such a full truth to the situation that we truly feel like flies on the wall (or on one of the surrounding rocks, to be more accurate). Never turgid, the unfolding of the discovery between these two humans is nuanced and allows for the delightful, small bits of natural humor that are so often lost in hyper-fast-paced film making. Sam Rosenthal's cinematography is off-center, while retaining a clear tension and balance, and Will Oldham's original music complements the piece seamlessly.
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It is refreshing to see a film where the director and the actors allow for a natural, human pace. Blake Brocksmith has written a deceptively simple story about two people meeting unexpectedly. Patrick Coleman Duncan, who wrote the screenplay and directs, is not afraid to let things develop between Terry J. Freedman and Brendan Weinhold and the actors don't let him or us down; they bring such a full truth to the situation that we truly feel like flies on the wall (or on one of the surrounding rocks, to be more accurate). Never turgid, the unfolding of the discovery between these two humans is nuanced and allows for the delightful, small bits of natural humor that are so often lost in hyper-fast-paced film making. Sam Rosenthal's cinematography is off-center, while retaining a clear tension and balance, and Will Oldham's original music complements the piece seamlessly.