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Cobain: Montage of Heck (2015)

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An authorized documentary on the late musician Kurt Cobain, from his early days in Aberdeen, Washington to his success and downfall with the grunge band Nirvana.

Director:

Brett Morgen

Writer:

Brett Morgen
Nominated for 7 Primetime Emmys. Another 4 wins & 10 nominations. See more awards »

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Cast

Credited cast:
Aaron Burckhard Aaron Burckhard ... Himself (archive footage)
Chad Channing Chad Channing ... Himself (archive footage)
Don Cobain Don Cobain ... Himself - Kurt's Father
Jenny Cobain Jenny Cobain ... Herself - Kurt's Stepmother
Kim Cobain Kim Cobain ... Herself - Kurt's Sister
Kurt Cobain ... Himself (archive footage)
Dale Crover ... Himself (archive footage)
Jason Everman Jason Everman ... Himself (credit only)
Dave Foster Dave Foster ... Himself (credit only)
Dave Grohl ... Himself (archive footage)
Courtney Love ... Herself
Tracey Marander Tracey Marander ... Herself - Kurt's Girlfriend
Nirvana ... Themselves (archive footage)
Krist Novoselic ... Himself
Wendy O'Connor Wendy O'Connor ... Herself - Kurt's Mother
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Storyline

An authorized documentary on the late musician Kurt Cobain, from his early days in Aberdeen, Washington to his success and downfall with the grunge band Nirvana.

Plot Summary | Add Synopsis


Certificate:

TV-MA | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 May 2015 (USA) See more »

Also Known As:

Kurt Cobain: Montage of Heck See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

T-Mobile used the All Apologies nursery jingle you hear during the beginning for a 2018 Super Bowl commercial. See more »

Connections

References Pink Floyd: The Wall (1982) See more »

Soundtracks

Hairspray Queen
Written by Kurt Cobain and Krist Novoselic
Performed by Nirvana
Courtesy of The End of Music, LLC
See more »

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User Reviews

 
Wasted potential due to Director's ego
9 May 2015 | by knoxfan2008See all my reviews

I was hoping for this film to be great. As a Nirvana fan (most people who claim to like Nirvana have no idea what 'Incesticide' or even 'Bleach' is), I was looking forward to a thorough insight into this beloved figure who is still shrouded in a fog of misrepresentation and false hero worship. Unfortunately the film did not live up to expectations as it seemed the Director, "Brett Morgan" was more concerned in making the film aesthetically pleasing than emotionally interesting.

First off, a few positives about the film. 1. The way it portrays Courtney Love: She is despised by most music fans who believe she ruined Nirvana, but it's pretty clear that Kurt's self destruction was mostly his doing and his natural tendencies which add an appropriate sense of melancholy to the movie. 2. Some of the montages were nice when not excruciatingly overdone. 3. The music of course was good, it had a wide range from their b-sides (Dive), their first album (Mr. Moustache) and their popular stuff (Territorial Pissings) Including some fascinating covers of the Velvet Underground and the Beatles. 4. The story about Kurt and the "Retarded Girl" was absolutely fascinating.

However, the pacing of the film is truly awful. The first hour trudges along after a promising start and becomes bogged down in the Director's own agenda to show off his style. By far the best scenes in the film is just raw footage of Kurt and Courtney living alone in their dingy apartments and hotel rooms.

The film is appropriately titled, as the film is almost solely montages that don't progress the story and just serve again to stroke the Director's ego. Another example is the overuse of EXTREMELY LOUD to absolute silence.

Also, the ending of the film is not only unsatisfying, but extremely clichéd. There are countless films that have the same end title card and it felt awfully lazy. This is also disappointing because we experience none of the emotional damage that Cobains death has, which would have been far more interesting than 5 minutes of repetitive montages.

What's sad is that this film claimed to be the definitive Cobain Doco, but it's so obvious that there is plenty more interesting video and audio recordings made by Cobain HIMSELF that were left out in order to make way for dead end animation montages and hyper editing. The film could have been just as emotionally effective with 20 minutes cut from it.

However, I am still at least glad I saw the film, all the less wanky stuff was honestly well directed and Cobain's home video footage is nothing short of riveting and sometimes becomes really funny and beautiful.

So I give this film a 6. At the end of the day, I feel it would have been far more interesting just to sort through 3 hours of Cobain's home recordings than to watch a Director trying to steal the limelight from his charismatic subjects.


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