During the Iraq War, U.S. Army Staff Sergeant Shane Matthews is a sniper who is sent to investigate a pipeline construction site in the desert of the country, with his spotter, Sergeant Allen Isaac. The pair patiently wait 22 hours on over-watch before determining that the site is clear. Matthews proceeds to investigate the site, but is shot by an Iraqi sniper. Isaac tries to rescue the dying Matthews, but he is also wounded in the right knee and has his radio damaged and his water bottle destroyed in the process..
The poster for this movie erroneously states that this movies from the director of 'Live Die Repeat'". When in fact the name of that movie is actually "Edge of Tomorrow" and "Live Die Repeat" is that movies tagline, interestingly, The sequel to Edge of Tomorrow was retitled to "Live Die Repeat & Repeat" after finding out audience's were more receptive of the tagline than the title. I'm See more »
Early in the movie when Issac is removing blocks from the wall to make an opening to look through with his scope, the blocks fall and crush his hand, specifically his right index, or "trigger finger". That finger is shown bloody and misshapen, possibly broken, for a vast majority of the remainder of the movie. At the end, he is able to make a shot at the enemy sniper using that same finger and it is shown to be uninjured. Precise trigger control is critically important to making accurate shots, particularly for a sniper. Making a long range shot like that with an injured or broken finger is highly unlikely. See more »
[sighting through his scope from a bush]
Nothin'. Hit n' run. Whoever it was they're gone. War's over, he got the memo.
[on his radio]
We got no movement, not a sign of a shadow... How long we been here, man? 18, plus?
Jesus. There's nobody fuckin' out there, man.
[...] See more »
Written by Ryan Williamson
Performed by Rykeyz
Courtesy of Sony/ATV See more »
A Bare Bones Thriller That Works More Than It Doesn't
The Wall is the latest thriller from director Doug Liman and features Aaron Taylor-Johnson and John Cena as a two man recon team stationed in Iraq who are pinned down by sniper fire and must take refuge behind a wall. Their calls for help are heard by no one...except the enemy sniper. As the battle of wits rages on so does the courage of the two men and their will to survive. This proves to be very beneficial for this film because, honestly, it did not feel like it would be able to sustain a feature length film. However, with the sheer intensity of the film and the perfect performances from Johnson and Cena, The Wall works even when it doesn't.
First off, the film is a lean, mean 80 minutes. As soon as the film starts, it starts. There is no warming up to it, it drops you in the movie unapologetic. What comes next is a reckoning of pure adrenaline pumping cinema. Much like last year's The Shallows, The Wall benefits from its bare bones approach. There isn't big explosions or typical warfare, this is more a war of wits which has been done before (and better) but this film is successful in the way that it doesn't need huge action numbers to sustain suspense. Director Doug Liman knows what it is and he knows the strengths are in the performances. It makes for a very interesting addition in the new age war film genre, sitting nicely between The Hurt Locker and American Sniper.
Despite all that is well with the film, there are a few moments where you're expecting the film to go one way and then it absolutely does not take any risks and gives you exactly what you expected. For that, I have to say that it was disappointing to not see as much innovation with such a bare bones film. For me, I like when characters are forced to use their environments for their benefit. The Wall definitely did that but in sort of a half-assed way. There really isn't anything clever or cool about the way it all pans out. With that being said, it still makes for an intense movie even if sometimes it feels a little cheap.
Overall, The Wall is a short yet intense film that will keep you hanging on until the last frame. The performances from Aaron Taylor Johnson and John Cena are nothing short of amazing. This is especially for John Cena, who absolutely blew me away with his fantastic performance as Matthews. While Cena shines, so does Aaron Taylor Johnson who bucks up and carries the movie on his shoulders without even thinking about it. It stands as Johnson and Cena's best performances to date and it definitely is worth watching.
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