After a failed assassination attempt, a soldier finds himself stranded in the desert. Exposed to the elements, he must survive the dangers of the desert and battle the psychological and physical tolls of the treacherous conditions.
12 Strong tells the story of the first Special Forces team deployed to Afghanistan after 9/11; under the leadership of a new captain, the team must work with an Afghan warlord to take down the Taliban.
Thirty years after they served together in Vietnam, a former Navy Corpsman Larry "Doc" Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War.
During the Iraq War, U.S. Army Staff Sergeant Shane Matthews is a sniper who is sent to investigate a pipeline construction site in the desert of the country, with his spotter, Sergeant Allen Isaac. The pair patiently wait 22 hours on over-watch before determining that the site is clear. Matthews proceeds to investigate the site, but is shot by an Iraqi sniper. Isaac tries to rescue the dying Matthews, but he is also wounded in the right knee and has his radio damaged and his water bottle destroyed in the process..
Nicholas Irving, former US RANGER Sniper and author of The Reaper is a technical advisor on this project. Irving was nicknamed "the reaper" during his tours of duty in Afghanistan See more »
When Isaac crawls back behind the wall after collecting the radio from the dead marine, the wall with the door opening is completely demolished by the sniper. A moment later the door opening is mysteriously back again. See more »
[sighting through his scope from a bush]
Nothin'. Hit n' run. Whoever it was they're gone. War's over, he got the memo.
[on his radio]
We got no movement, not a sign of a shadow... How long we been here, man? 18, plus?
Jesus. There's nobody fuckin' out there, man.
[...] See more »
What starts out as an insular, straight-forward war thriller soon becomes a somewhat sillier, 'Phonebooth (2002)'-esque affair that's really only carried by our two leads' willingness to get down and dirty in the desert sand as they scramble for cover from the chatty sniper pinning them down. The pace in 'The Wall (2017)' is usually slow but there are several genuinely suspenseful and otherwise more energetic moments peppered throughout. The general design of the piece is also relatively realistic - including some stellar sound design that has the crack of each distant shot echo out only after the splat of its impact. This means that there are tangible stakes in almost every scene, even when there isn't any real entertainment. 6/10
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