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Widows (2018)

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In 23 theaters near Ashburn VA US [change]

Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.

Director:

Steve McQueen

Writers:

Gillian Flynn (screenplay by), Steve McQueen (screenplay by) | 1 more credit »
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17 ( 6)

How 'Widows' Updates a Classic British TV Series

Widows director Steve McQueen and screenwriter Gillian Flynn reveal how Lynda La Plante's 1983 mini-series "Widows" is still relevant today.

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2 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Viola Davis ... Veronica
Liam Neeson ... Harry Rawlings
Jon Bernthal ... Florek
Manuel Garcia-Rulfo ... Carlos
Coburn Goss ... Jimmy Nunn
Michelle Rodriguez ... Linda
Alejandro Verdin ... Xavy
Bailey Rhyse Walters ... Gracie (as Bailey Walters)
Elizabeth Debicki ... Alice
Carrie Coon ... Amanda
Robert Duvall ... Tom Mulligan
Colin Farrell ... Jack Mulligan
Molly Kunz ... Siobhan
James Vincent Meredith ... John / Mulligan Man
Brian Tyree Henry ... Jamal Manning
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Storyline

"Widows" is the story of four women with nothing in common except a debt left behind by their dead husbands' criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms. Written by Twentieth Century Fox

Plot Summary | Plot Synopsis

Taglines:

Left with nothing. Capable of anything.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language throughout, and some sexual content/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Spanish | Polish

Release Date:

16 November 2018 (USA) See more »

Also Known As:

Widows See more »

Filming Locations:

Chicago, Illinois, USA See more »

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Box Office

Budget:

$42,000,000 (estimated)

Opening Weekend USA:

$12,361,307, 18 November 2018, Wide Release

Gross USA:

$39,040,682, 11 December 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Both Viola Davis and Cynthia Erivo were both attached to a Harriet Tubman biopic, released later. See more »

Goofs

When the 'husbands' gang are surrounded and the van explodes it neatly separates into two halves and was clearly cut in two by the production crew. Real explosions are not so neat. See more »

Quotes

Jack Mulligan: I'll tell you exactly why I fired your campaign manager: he told me we would get the endorsement of Wheeler, and now, the good reverend has decided to sit this one out. He doesn't get to do that.
Tom Mulligan: Oh... let me get this straight. You fire Hillsman. He's been working with our family for 30 years. So you just put a bullet in him, y'know, when the polls drop to, what - three percent? Why? Why?
Jack Mulligan: I got a new guy coming on. Black guy. British.
Tom Mulligan: Black guy? Really? A black guy?
Siobhan: Gavin Cunningham.
Tom Mulligan: What?
Siobhan: Yeah...
[...]
See more »

Connections

Referenced in Midnight Screenings: Widows (2018) See more »

Soundtracks

The Big Unknown
Performed by Sade
See more »

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User Reviews

 
Consider this a divorce
12 November 2018 | by deastman_ukSee all my reviews

My partner was so upset by this film that she made me watch the original TV series from the 80s. Incidentally, it still stands up and makes a lot more sense.

But the question must be asked, in this day and age, why convert something that was a TV series into a film? The story of wives taking on a bank heist feels kind of #metoo in a perverse way so I get that, but the motivation of too many of the major characters simply make no sense.

Colin Farrell plays a snake politician who wants no part in the family business, but already seems to be getting far too involved out of choice. One of the wives has a relationship whose only purpose is to provide a MacGuffin - this would be embarrassing in a student film. There is a Star Wars moment between one wife and another guy where the audience just laughs at how clumsy it is - this might be deliberate but plays no useful part in a heist film. The portrayal of the black gangsters is slightly more nuanced, but the only bits thats stick are uses of violence. There is also one more unexplained major character as you get nearer the end.

Viola Davis is very good, and McQueen clearly remembered her from Secrets and Lies, and most of the rest of the cast do their stuff well. Daniel Kaluuya is chilling. But Chicago itself makes less impact on the film. Some of the location choices were frankly puzzling.

I think the director (Steve McQueen) has managed to string a set of scenes that he feels have real human emotion in them, but has manifestly failed to create a film. Let alone a heist film. A brief look back at the brilliant Heat reveals a director who gave himself to the genre and let the cast breathe life into the characters. This film is treated more like a stage play, with characters already too constrained to expand.


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