Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
When Lee Israel falls out of step with current tastes, she turns her art form to deception. An adaptation of the memoir Can You Ever Forgive Me?, the true story of best-selling celebrity biographer Lee Israel.
Richard E. Grant,
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
"Widows" is the story of four women with nothing in common except a debt left behind by their dead husbands' criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Viola Davis), Alice (Elizabeth Debicki), Linda (Michelle Rodriguez) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.Written by
Twentieth Century Fox
Liam Neeson and Colin Farrell are both Irish actors, and this was the first film they worked together in. They were both runners for James Bond, which eventually went to Pierce Brosnan and Daniel Craig respectively. See more »
Harry and Veronica's last name is "Rawlins". Harry's tombstone says "Rawlings". See more »
[to her gang]
Now the best thing we have going for us, is being who we are.
Because no-one thinks we have the balls to pull this off.
See more »
My partner was so upset by this film that she made me watch the original TV series from the 80s. Incidentally, it still stands up and makes a lot more sense.
But the question must be asked, in this day and age, why convert something that was a TV series into a film? The story of wives taking on a bank heist feels kind of #metoo in a perverse way so I get that, but the motivation of too many of the major characters simply make no sense.
Colin Farrell plays a snake politician who wants no part in the family business, but already seems to be getting far too involved out of choice. One of the wives has a relationship whose only purpose is to provide a MacGuffin - this would be embarrassing in a student film. There is a Star Wars moment between one wife and another guy where the audience just laughs at how clumsy it is - this might be deliberate but plays no useful part in a heist film. The portrayal of the black gangsters is slightly more nuanced, but the only bits thats stick are uses of violence. There is also one more unexplained major character as you get nearer the end.
Viola Davis is very good, and McQueen clearly remembered her from Secrets and Lies, and most of the rest of the cast do their stuff well. Daniel Kaluuya is chilling. But Chicago itself makes less impact on the film. Some of the location choices were frankly puzzling.
I think the director (Steve McQueen) has managed to string a set of scenes that he feels have real human emotion in them, but has manifestly failed to create a film. Let alone a heist film. A brief look back at the brilliant Heat reveals a director who gave himself to the genre and let the cast breathe life into the characters. This film is treated more like a stage play, with characters already too constrained to expand.
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