In the high-stakes world of political power-brokers, Elizabeth Sloane is the most sought after and formidable lobbyist in D.C. But when taking on the most powerful opponent of her career, she finds winning may come at too high a price.
Double crosses, adultery, murder, mistaken identity, and revenge ensue when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
While transporting a dying man to the hospital, two paramedics find a million dollars in cash sewn into his clothing. When the man dies, they decide to keep it, setting them on a path for a hellish night of violence and mayhem.
Tom Everett Scott,
Molly Bloom, a beautiful young Olympic-class skier, ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans, and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe.Written by
According to writer/director Aaron Sorkin, the actors would play poker between takes with the professional poker players who appeared as extras in the card game scenes. The extras, who are usually paid $90 for a 12-hour work day, were often the highest-paid people on the set. See more »
There are abrupt changes in Molly's clothing over her right shoulder in between screen shots while she is discussing her case with her lawyer (sweater on her shoulder and then off her shoulder among other continuity errors). See more »
I'm your father. Trying to comprehend how much I love you would be like trying to visualize the size of the universe.
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Sorkin and Chastain Flourish in this Fun, Fast-paced Ride
As is the case with all Aaron Sorkin movies, Molly's Game (based on a true story) pummels you with sharp, rapid-fire verbal jabs. Sorkin confidently dances circles around you, dizzying you with repartee, occasionally dropping your jaw with powerful verbal combinations. His scripts come at you aggressively. He hopes to leave you dazzled by the speed and impact of the dialogue, and he succeeds.
As a first-time director, he delivers the same speed and ferocity with the creative camera work and cuts in the opening scene of Molly's Game. The sequence is a whirlwind of clever explanations through narration and visuals. Immediately it becomes clear-this guy knows what he's doing behind the camera.
The remainder of the first hour zooms along in a similarly spectacular fashion. Jessica Chastain shines as Molly Bloom, the poker princess. She exhibits the class, composure, and tenacity required of someone who ran the most elegant poker games in the country for billionaires, athletes, and actors. And, most importantly, she smoothly rattles off all the light-speed Sorkin dialogue in a natural-sounding cadence. The movie doesn't work without the perfect actress playing Molly. Chastain is perfect.
While Chastain delivers her powerhouse performance with swagger, Idris Elba (playing her fictitious lawyer), falls a bit flat. I don't blame Elba, who has consistently proven to be a more than capable performer. His part feels underwritten. As skilled as Sorkin as with dialogue, he does not always create the most compelling or complete supporting characters in his stories.
Elba does deliver one devastating speech with great earnestness. It's a touch preachy, but he says what had needed to be said the entire movie. I was grateful.
The poker scenes bring a lot of fun to the table (sorry, it was right there). Each character represents a real-life celebrity or rich guy or at least an amalgam of a few real-life players. I had great fun guessing which character was which celebrity as I watched. Then I looked up the names later (obviously). That part was fun too.
At some point about halfway through, the movie hits a lull. It drags. It's never boring, but it doesn't hit with quite the same fury. Not every scene feels necessary, so the length becomes noticeably extensive. The movie definitely needs a trim.
After regaining its footing, the movie seems to be on the way to a satisfying conclusion. Then a bizarre ice-skating scene leads into an unwatchably awful three-minute therapy session. I nearly covered eyes and plugged my ears. Tough to forgive that one.
Despite the one horrendous moment, the movie offers far more good than bad. It's fun. It's smart. It's a commendable directorial debut from a long-time writing superstar, Aaron Sorkin, and it's one of Jessica Chastain's finest performances to date.
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