10 user 32 critic

A Date for Mad Mary (2016)

1:46 | Trailer

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A woman newly released from prison seeks a date to bring to her best friend's wedding.


7 wins & 4 nominations. See more awards »





Cast overview, first billed only:
... Mary
... Female Prison Guard
... Suzanne
Barbara Brennan ... Nan
Stephen Cromwell ... Grungy Guy
Sarah Gorman ... Grungy Guy's Girlfriend
John Finegan ... Angry Club Bouncer
... Charlene
Siobhan Shanahan ... Leona
... Sally
Ben Condron ... Declan
Shauna Higgins ... Julie
Jamiu Giwa ... Udel
Mark Dunne ... Scote
Tatiana Ouliankina ... Oksana


'Mad' Mary McArdle returns to Drogheda after a short spell in prison - for something she'd rather forget. Back home, everything and everyone has changed. Her best friend, Charlene, is about to get married and Mary is to be her maid of honour. When Charlene refuses Mary a 'plus one' on the grounds that she probably couldn't find a date, Mary becomes determined to prove her wrong. 'A Date for Mad Mary' is a tough and tender story about friendship, first love, and letting go of the glory days.

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Comedy | Drama | Romance


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Release Date:

7 November 2017 (USA)  »

Also Known As:

Ein Date für Mad Mary  »

Filming Locations:



Box Office

Opening Weekend:

€47,814 (Ireland), 4 September 2016, Limited Release
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Company Credits

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Technical Specs



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Did You Know?


Filmed in Drogheda. See more »


Jess's hair changes from scene to scene: sometimes it is almost entirely blonde, with just a small amount of dark hair at the roots, and in other scenes (most notably when she gets the bus home with Mary) there is over three inches of dark hair at the root. See more »


Nan: Fucking sniper wouldn't take you out.
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Freighted Sky
Performed by Tara Lee
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User Reviews

This film is very special
1 March 2017 | by See all my reviews

Yes great acting and great actors. Yes a very good soundtrack and some sharp writing and excellent dialog. The relationship depicted between mother and daughter was especially on target. But the the thing that really makes this film outstanding is the existential subtext. Take Irving Welsh and "Trainspotting" and its final last minute narration:

"The truth is that I'm a bad person. But, that's gonna change - I'm going to change. This is the last of that sort of thing. Now I'm cleaning up and I'm moving on, going straight and choosing life. I'm looking forward to it already. I'm gonna be just like you. The job, the family, the big television. The washing machine, the car, the compact disc and electric tin opener, good health, low cholesterol, dental insurance, mortgage, starter home, leisure wear, luggage, three piece suite, DIY, game shows, junk food, children, walks in the park, nine to five, good at golf, washing the car, choice of sweaters, family Christmas, indexed pension, tax exemption, clearing gutters, getting by, looking ahead, the day you die."

Becoming an adult is a con game. The con you pull is on yourself. Frankly I have spend the better part of 20 years coming back to what my true core is, and who I really am. Mary is at that "place", where everyone is settling and literally settling into the person that society dictates, that family dictates. Social mores and binding observance of societal "normality" are not for everyone. Sometimes the price is too high.

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