Simon and Robyn are a young married couple whose life is going just as planned until a chance encounter with an acquaintance from Simon's high school sends their world into a harrowing tailspin. Simon doesn't recognize Gordo at first, but after a series of uninvited encounters and mysterious gifts prove troubling, a horrifying secret from the past is uncovered after more than 20 years. As Robyn learns the unsettling truth about what happened between Simon and Gordo, she starts to question: how well do we really know the people closest to us, and are past bygones ever really bygones?Written by
The question Gordie was asking at trivia had two parts. The first answer was the Beatles white album, and the follow up answer was the Helter Skelter murders referencing serial killer Charles Manson. In British English, a Helter-Skelter is a fairground slide that twists around the outside of a central tower. See more »
Simon comforts Robyn with a hug, in the mirror we see her arm go up and when the camera cuts away, her arm is no longer up but comes up after a few seconds. See more »
Holy shit. I'm an asshole, Robyn, okay? I made his life a living hell and I treated him like shit. Is that what you're trying to figure out? That I was an asshole? I was an asshole, okay? My dad was an asshole to me, treated me like shit. But I took it. I sucked it up. I'm not on my hands and knees crying about it, praying about it. Stuck in the fucking past about it. I moved on. I made something of my life. This world's about fucking winners and losers, and we're all in the same shitty ...
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Joel Edgerton simply gave us one of the greatest thrillers of this year!
The Gift follows married couple Simon and Robyn who get a unexpected encounter from Gordo, an acquaintance from Simon's past. At first, Simon doesn't recognize Gordo, but after a troubling series of uninvited encounters and mysterious gifts, a horrifying secret emerges. Little do they know that their perfect lives are about to be thrown into a terrifying tailspin.
This film standing as Joel Edgerton's directional debut, I must say is pretty impressive. This was a well crafted thriller put together by Edgerton, it wasn't as predictable as most thrillers are these days, it was simply one where our expectations keep getting pummeled to ground from how the story keeps transitioning.
Everyone in this were simply astonishing, Edgerton played such a compelling creepy loner with so much aplomb, Hall played her role perfectly as a depressed woman that can't stress enough with all the fear and for Bateman, coming from his comedic standpoint, simply impressed as the husband with one troubling past. Round of applause to each and everyone!
The film builds an effective sense of suspense and disbelief, you don't know what to believe from all the turn of events. The story was told so fluently with the suspense, is wasn't cheap or hasty but more chilling and grim when it came to the very well paced manner, it doesn't simply spoonfeed us with everything it's doing but really lets us take the turn for worst with each surprise hiding at each corner.
The Gift was simply a shot in the dark when it let loose from the formulaic genre it was hanging off of. This nerve-wracking thriller maturely sends this main couple spiraling out of control as Edgerton simply starts to turn their life upside down by downgrading their relationship piece by piece. You can never tell who's the main protagonist, Is It Bateman? Is it Hall? Is It Edgerton? You can't really seem to tell until the surprise-filled ending that takes a wonderfully warped take on long-ranged karma. The Gift most certainly gave deliberate pacing, believable characters, and masterful understanding of cinematic suspense, Edgerton really proved that this film shouldn't be the last present we receive from him.
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