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Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
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A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
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O'Shea Jackson Jr.
Libya, 2012. At an unofficial CIA base in Benghazi a group of ex-military contractors are providing security. In the aftermath of Gaddafi's downfall a power vacuum exists and the climate is volatile. Military weapons are freely available. The US Ambassador to Libya, Chris Stevens, makes a visit to the area, staying in a compound near the CIA base. On the night of 11 September, 2012, the Ambassador's compound is attacked by hordes of heavily armed locals. The only forces willing and able to defend it are six CIA contractors.Written by
International release and American releases have an alternate shot when the characters are boarding the plane at the end of the movie. In one version 'Bob' the CIA base commander simply says 'Sorry' to Jack, and in others he says 'I'm proud to know Americans like you'. See more »
Micheal Bay restricting himself to deliver a straight forward, focused movie. A Thrilling and Entertaining watch.
This movie is based on a true story about the attack on an American embassy and a secret CIA base in Benghazi, Libya, on the 9/11 anniversary in 2012. And how a few numbers of of Ex-Soldiers managed to repel the attack.
Directed by Micheal Bay, I was surprised to see him holding back his Bay-ism and deliver a straight forward focused film. The story got a long build up at the start, setting up the location, the characters and the situation. And then chaos. What I liked most about this film was the fact that you felt just as lost as the soldiers and people in this movie. The confusion, the chaos, the uncertainty, it was delivered quite nicely, creating tension and thrill.
There are a lot of characters in the movie, but ultimately it is focused on these soldiers, and while the movie could have done a better job developing them, what it did was good enough in a sense that it worked for the movie. I liked em. Acting varied, with some delivering pretty good performances. Also, again with Micheal Bay restricting himself, there were no stupid side plots or cringe worthy romance for any of the characters. They all had families back home and we got some moments with them, humanizing the soldiers more.
The action was solid. It felt raw and realistic. There were the occasional Micheal Bay's firework explosions and some exaggerated RPG moments, but that's about it. Everything else was great. And this is the movie to watch on a home theater if you own one because sound effects were terrific. The explosions, the guns firing, the bullet impacts, it all sounded really great. Soundtrack was good. And the cinematography was great, it was a good looking movie.
The movie strayed away from political stuff, and just focused on the incident, which made me appreciate it more. The underlying message it was trying to give might have been too heavy handed at times, especially at the end, but it was a good one.
My issues with the movie, other than the ones already mentioned, were that the movie was too long. It took about 40 mins for things to get started and while the build up created the anticipation for what's about to happen, it got too long and slow in some areas. 20 mins shorter and it would have been a much tighter and cleaner film. Also, there are some, few, but some cringe-y scenes attempting to add humor, which stand out like a sore thumb considering most of the movie has a serious tone.
All in all, it was an entertaining watch and shows Micheal Bay still can control himself. I hope the dude gives up on Transformers and does other things, like this, more. Shame that this turned out to be his least grossing film. Definitely a recommended watch.
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