Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shoot-out and a game of survival.Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shoot-out and a game of survival.Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shoot-out and a game of survival.
- Director
- Writers
- Amy Jump(screenplay by)
- Ben Wheatley(screenplay by)
- Stars
Top credits
- Director
- Writers
- Amy Jump(screenplay by)
- Ben Wheatley(screenplay by)
- Stars
- Awards
- 3 wins & 9 nominations
Videos14
- Director
- Writers
- Amy Jump(screenplay by)
- Ben Wheatley(screenplay by)
- All cast & crew
- See more cast details at IMDbPro
Storyline
Stevo (Sam Riley) and Bernie (Enzo Cilenti) are driving to meet two IRA members, Chris (Cillian Murphy) and Frank (Michael Smiley). On the way, Stevo tells Bernie that he was beaten up the previous day by the cousin of a woman he abused. The group meet outside a Boston warehouse, where they wait with intermediary Justine (Brie Larson). A representative arrives, Ord (Armie Hammer), who leads them inside. The group is there to buy guns from arms dealer Vernon (Sharlto Copley) and his associates, Martin (Babou Ceesay), Harry (Jack Reynor) and Gordon (Noah Taylor). Despite tensions between the two groups and the fact that Vernon supplied the wrong weapons, Chris' group secure the weapons in a van and hand over the money in a briefcase..
- Taglines
- All guns. No control.
- Genres
- Certificate
- 15
- Parents guide
Did you know
- TriviaBen Wheatley has stated a big reason he set the film in the 70s is so there would be no mobile phones.
- GoofsFrank refers to County Down as being in "Northern Ireland". An Irish republican would not use that term, as it would give recognition to British rule in Ireland.
- ConnectionsFeatured in Film 2018: Episode #45.8 (2016)
- SoundtracksDo the Boob
Written by John Felice
Published by Bug Music Ltd (GB), a BMG Company (c) 1977
Used with permission. All rights reserved.
Performed by The Real Kids
Licensed courtesy of Norton Records
Top review
Like Res Dogs but worse
Free Fire starts off well. Music is amazing and it gets you excited about the movie, and the dialogue works amazingly well. It's the perfect kind of dialogue. If you're an aspiring screenwriter it might make you think oh right, that's how you're supposed to do it.
The beginning may feel a bit stretched out, but when s##t hit the fan, I almost started to miss that slow, dialogue-heavy beginning of the movie. Mostly because after that, most of the movie seemed more like just shooting without any kind of actual point to it. It desperately needs something more story driven there.
The entirety reminds me of Reservoir Dogs, but like a weird, simpler version missing the charm Tarantino put in his work - apart from the dialogue of course. The set-up is good, but the story isn't close to as great as it could be. There's so much potential that seems to be wasted since it comes to the weird part where the film is mostly shooting and throwing in bits of great dialogue every here and there. It's hard to keep track of, especially when most of the characters look the same and the names are thrown in there so casually you barely remember three of them. Also the structure makes the movie feel way longer than it is.
Free Fire has potential, but it needs some better way to wrap things up, and better way to keep the audience invested in the characters. This way it's just watching and wondering who's going down next and what the hell is even happening.
The beginning may feel a bit stretched out, but when s##t hit the fan, I almost started to miss that slow, dialogue-heavy beginning of the movie. Mostly because after that, most of the movie seemed more like just shooting without any kind of actual point to it. It desperately needs something more story driven there.
The entirety reminds me of Reservoir Dogs, but like a weird, simpler version missing the charm Tarantino put in his work - apart from the dialogue of course. The set-up is good, but the story isn't close to as great as it could be. There's so much potential that seems to be wasted since it comes to the weird part where the film is mostly shooting and throwing in bits of great dialogue every here and there. It's hard to keep track of, especially when most of the characters look the same and the names are thrown in there so casually you barely remember three of them. Also the structure makes the movie feel way longer than it is.
Free Fire has potential, but it needs some better way to wrap things up, and better way to keep the audience invested in the characters. This way it's just watching and wondering who's going down next and what the hell is even happening.
helpful•8944
- mistoppi
- Apr 27, 2017
Details
Box office
- Budget
- £5,500,000 (estimated)
- Gross US & Canada
- $1,799,312
- Opening weekend US & Canada
- $994,431
- Apr 23, 2017
- Gross worldwide
- $3,719,383
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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