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Florence Foster Jenkins (2016)

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The story of Florence Foster Jenkins, a New York heiress who dreamed of becoming an opera singer, despite having a terrible singing voice.

Director:

Stephen Frears

Writer:

Nicholas Martin
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Popularity
2,917 ( 462)
Nominated for 2 Oscars. Another 9 wins & 39 nominations. See more awards »

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Cast

Cast overview, first billed only:
Meryl Streep ... Florence Foster Jenkins
Hugh Grant ... St Clair Bayfield
Simon Helberg ... Cosmé McMoon
Rebecca Ferguson ... Kathleen
Nina Arianda ... Agnes Stark
Stanley Townsend ... Phineas Stark
Allan Corduner ... John Totten
Christian McKay ... Earl Wilson
David Haig ... Carlo Edwards
John Sessions ... Dr. Hermann
Brid Brennan ... Kitty
John Kavanagh ... Arturo Toscanini
Pat Starr Pat Starr ... Mrs Vanderbilt
Maggie Steed ... Mrs James O'Flaherty
Thelma Barlow Thelma Barlow ... Mrs Oscar Garmunder
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Storyline

Florence Foster Jenkins, an heiress from NYC, always wanted to be a concert pianist and play Carnegie Hall. An injury in her youth deterred that dream, so she sets out to sing her way to Carnegie Hall, knowing the only way to get there would be, "Practice, practice, practice". Her husband supports her venture, and Florence Foster Jenkins' performance at Carnegie Hall becomes a truly historic event. Written by stephen scialli

Plot Summary | Plot Synopsis

Taglines:

Every voice deserves to be heard. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for brief suggestive material. | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | France

Language:

English | German | Italian | Russian

Release Date:

12 August 2016 (USA) See more »

Also Known As:

Florence See more »

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Box Office

Budget:

$29,000,000 (estimated)

Opening Weekend USA:

$6,601,313, 12 August 2016, Wide Release

Gross USA:

$27,370,107, 23 October 2016

Cumulative Worldwide Gross:

$2,080,000, 12 August 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color | Black and White (some footage)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Thelma Barlow: one of Florence's elderly socialite friends. See more »

Goofs

The table radio in the apartment that St. Clair shares with Kathleen is a Philco model 50-922, which was introduced in late autumn, 1949 for the 1950 model year. The last radios available for sale after the Pearl Harbor attacks were introduced in the spring of 1942. Also, Kathleen turns the radio on with the right knob. On most USA-manufactured, vacuum tube table radios with two knobs (including this model), the right knob is the station selector and the left knob is used for a combination on/off switch and volume control assembly. See more »

Quotes

Florence Foster Jenkins: They're getting through the potato salad like gannets.
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Soundtracks

Biassy
Written by Alexander Pushkin & Count Alexis Pavlovitch
Based on Prelude 16 by Johann Sebastian Bach (as J.S. Bach)
Performed by Meryl Streep & Simon Helberg
Arranged by Terry Davies
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User Reviews

 
A tragic tale about mental illness told on an operatically grand scale.
4 May 2016 | by CineMuseFilmsSee all my reviews

Genre labels shape your expectations of a movie but they are also manipulated by promoters to influence audience response. Both Marguerite (2016) and Florence Foster Jenkins (2016) are being sold as "hilarious comedies" whereas in reality they both tell a sad story of self-deception and mental frailty, albeit in funny ways. Marguerite is a comedy of manners, while Florence is a tragi- comedy, the genre that shows the sad truth behind the apparently ridiculous. Both films are bio- pics, with one satirising vanity the other telling a tragic tale about a mental illness that is displayed on an operatically grand scale.

Unlike the fictitious Marguerite who is 'loosely based' on the real person, Florence is closely based on the wealthy and generous arts socialite Florence Foster Jenkins who came to public notoriety when she hired Carnegie Hall for her operatic recitals in 1944. Both films (and still available YouTube recordings) show the full force of how badly the real Florence sang, but that's where the similarity ends. Early in the film we learn that Florence (Meryl Streep) has defied medical science by living well beyond the usual lifespan of a syphilis victim, a disease she contracted on marrying when 18 years old. She endured decades of archaic mercury and arsenic medication with progressive loss of mental functions and chronic exhaustion. Her second marriage remained celibate by mutual agreement and her husband (Hugh Grant) was free to have affairs but was devotedly protective of Florence. The cinematic impact of these facts change the film from a satire to a study of pathos and tragedy as Florence is seriously unwell and singing is the only thing keeping her alive.

While Marguerite amplifies the ridiculous as seen from the other side of the Atlantic, Florence is an American-owned story and any ridicule is tempered with compassion. The combined acting virtuosity of icons Streep and Grant will most likely earn the film Academy nominations as these timeless stars are superb in their parts and their chemistry together is wonderful. Top production values are evident in the period set and costumes, and the whole film has an elegant authenticity that underscores the seriousness of mental degeneration, whether its on the stage of Carnegie Hall or elsewhere. Audiences might leave cinemas still chuckling at the singing of Marguerite and Florence, but many will leave Florence with sympathy for her desperate desire to be something that nature made impossible.


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