Photos and Videos
Complete, Cast awaiting verification
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Alexander la Rue | ... |
Soldier
(as Alexander La Rue)
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Stefano Muroni | ... |
Demode Respighi / Faloiser Foschini
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Mary Di Tommaso | ... |
Ester Menegatti / Gioiella Balboni
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Edoardo Siravo | ... |
Secondo Menegatti / Ermes Cabrini
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Elisa Leonini | ... |
Ballerina
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Simonetta Rossi | ... |
Servant
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Alessandra Checchinato | ... |
Apprentice Servant
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Filippo Parma | ... |
Calipodio Govoni / Isler Pavani
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Remo Buosi | ... |
Butler / Barber Client
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Massimo Malucelli | ... |
Atlas Ferraguti / Mazzingo Zappaterra
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Enrico Trevisani | ... |
Monsignor Bonfatti
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Paolo Soriani | ... |
Photographer
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Francesco Bettini | ... |
Spy
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Luciano Ravagnani | ... |
Austrian General
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Attilio Imbrogno | ... |
Dirigible Commander
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Giuseppe Groppa | ... |
Dirigible Soldier
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Fabio Fioravanti | ... |
Austrian Officer
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Riccardo Montepulciano | ... |
Italian General
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Alberto Basso | ... |
Italian Officer
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Paolo Manservigi | ... |
Police Officer
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Lauro Pampolini | ... |
Police Guard / Urano Lumini
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Arturo Pesaro | ... |
Police Guard / Etelredo Lumini
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Massimo Alì Mohammad | ... |
Massimo Ali Mohammad
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Daniele Donà | ... |
Daniele Donà
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Sandro Sproccati | ... |
Gualtiero Dalla 'Ca
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Serge Bromberg | ... |
Serge Bromberg
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Richard Meyer | ... |
Richard Meyer
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Livio Jacob | ... |
Livio Jacob
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Alessandro de Zan | ... |
Alessandro De Zan
(as Alessandro De Zan)
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Grazia Fogli | ... |
Annisetta Cattabriga
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Matilde Mascellani | ... |
Italia Lumini
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Paolo Mereghetti | ... |
Paolo Mereghetti
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Giampiero Raganelli | ... |
Giampiero Raganelli
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Donald Sosin | ... |
Donald Sosin
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Tatti Sanguineti | ... |
Tatti Sanguineti
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Directed by
Massimo Alì Mohammad |
Written by
Massimo Alì Mohammad | ... | (writer) |
Produced by
Susan Harmon | ... | producer |
Richard Meyer | ... | producer |
Music by
Donald Sosin |
Cinematography by
Edo Tagliavini |
Editing by
Massimo Alì Mohammad |
Editorial Department
Elisa Leonini | ... | assistant editor |
Production Design by
Elisa Leonini |
Art Direction by
Elisa Leonini |
Set Decoration by
Elisa Leonini |
Costume Design by
Remo Buosi | ||
Alexander la Rue |
Makeup Department
Alexander la Rue | ... | hair stylist / makeup artist / special makeup effects artist |
Second Unit Director or Assistant Director
Elisa Leonini | ... | assistant director |
Edo Tagliavini | ... | assistant director |
Art Department
Elisa Leonini | ... | set designer |
Sound Department
Massimo Alì Mohammad | ... | sound editor / sound mixer |
Special Effects by
Massimo Alì Mohammad | ... | special effects |
Visual Effects by
Massimo Alì Mohammad | ... | digital effects |
Camera and Electrical Department
Giuseppe Groppa | ... | best boy |
Massimo Alì Mohammad | ... | camera operator |
Paolo Soriani | ... | additional photography / best boy |
Edo Tagliavini | ... | assistant camera |
Cristiano Vallieri | ... | best boy |
Costume and Wardrobe Department
Remo Buosi | ... | costumer |
Alexander la Rue | ... | costumer |
Script and Continuity Department
Elisa Leonini | ... | script supervisor |
Additional Crew
Elisa Leonini | ... | choreographer / production assistant |
Production Companies
Distributors
- Turner Classic Movies (TCM) (2017) (United States) (tv)
Special Effects
Other Companies
Storyline
Plot Summary |
A love letter to early Italian cinema, Love Among the Ruins is a faux documentary about the miraculous discovery and restoration of a long-lost Italian silent film. The genius of the Lumini brothers, two cinematic visionaries almost overlooked in the history of cinema, ignites the imagination of a contemporary filmmaker who makes the discovery of a lifetime. In 2012, a 6.0-magnitude earthquake struck northern Italy, severely affecting the historic city of Ferrara and surrounding areas and causing significant damage to the region's Medieval and Renaissance architecture. However, a cracked wall in Ferrara's municipal building revealed a hidden treasure: several cans of old film. Could this be the long-lost silent romance written and directed by the Lumini brothers of Ferrara in the early 1920s? Can the deteriorated film be repaired so new audiences around the world can enjoy this moving story of lovers caught in the events of World War I? Scholars speculate, experts and archivists hypothesize, and finally, the 90-year old film is restored and set to a new musical score. The talents of actors long passed away (or maybe not!) and the beauty of Ferrara in the 1920s (as well as today) are once again seen on the screen with a tale as striking and poignant for today's viewers as it was nearly a century ago. Written by Anonymous |
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Parents Guide | Add content advisory for parents » |
Additional Details
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Did You Know?
Goofs | The lost film, supposedly shot in the 1920s, refers in one of its opening intertitles to "the First World War." At the time, the conflict was still referred to as "the Great War" or, less commonly, as "the World War." People only began referring to it as the First World War after the Second World War began. See more » |
Quotes |
Demode Respighi:
[writing a letter]
My Beloved One, The racket of the muskets and bombs is such that I can no longer hear the sound of your voice, even in my dreams. Where are you? See more » |